Nmherman on 26 Sep 2000 20:31:27 -0000 |
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[Nettime-bold] Closing Week of the Genius 2000 Conference 2000 |
+++++++++++++++++ October 1 will soon be here, after which no more submissions will be accepted by the judges. Act now to make this the best Conference ever! Send submissions to nmherman@aol.com or check the Info link on http://www.geocities.com/~genius-2000/Launch.html Email submissions write "Rolling submissions" in the subject line. Many thanks to the judges: Simon Biggs, Corey Eiseman, JDKeller, Carter Lebares, Jenn McCoy, Pat Mountain, and Eryk Salvaggio. Thanks also to everyone who sent in work; best of luck! +++++++++++++++++++++++ New jpg: http://www.geocities.com/~genius-2000/MikeWatt.jpg Mike Watt is a very socially conscious musician from the L.A. area. He played here in Mpls last night and I gave him a Special Edition Genius 2000 Video. He also signed a flyer for me--Thanks Mike! Anyone who gets a chance to see him play should go, it's a good show. http://search.yahoo.com/bin/search?p=Mike+Watt +++++++++++++++ New Link for Terrence Kosick: Many people have wondered and asked or written me: why should I believe you and the teachings of Genius2000.? So many sales and religious hucksters have promised me much but given me nothing. How can anyone listen to and believe your claims that anyone can become a genius and that you can teach them how. I hope that I can convince you both that I am a genius and that I can teach you to become one. http://www.geocities.com/~genius-2000/HowtoBecomeaGenius2000genius.htm ++++++++++++++++++++++++++++++ On August 27, 2000, two thousand Genius 2000 tickets were thrown off the bridge in the atrium at the San Francisco Museum of Modern Art. At least seven photographs were taken. No permission was asked or given by the Museum. Each ticket was printed on standard copy paper and measured 2" by 2 3/4". On the front of the ticket is the Genius 2000 Network symbol; on the back was the url www.geocities.com/~genius-2000. Each ticket was hand-numbered by Max Herman with roman numerals. At least five of these tickets have been preserved. --http://www.geocities.com/~genius-2000/Description.html --http://www.geocities.com/~genius-2000/SFMOMA82700.html --http://rhizome.org/object.rhiz?1866&r To Participate: send email to director@sfmoma.org; http@rhizome.org; nmherman@aol.com; letters@sfbg.com; tom_tompkins@sfbg.com David Ross has refused to comment and should be pressed to change his mind. +++++++++++++++++++++ A very disturbing and ominous website: http://www.tribecafilm.com/converge/ Protest against it using email to contactus@tribecafilm.com or by throwing tickets at the business gathering itself (if you can afford a ticket). ++++++++++++++++++++ Join the Genius 2000 Conference 2000 listserv by sending a blank email to: Genius2000Conference2000-subscribe@egroups.com All topics permitted and encouraged. +++++++++++++++++ Victoria Vesna now has a copy of the Video First Edition. Ask her about it by writing her at vv@ucla.edu, or by visiting her site http://time.arts.ucla.edu/ "According to James Hillman, economics is the only effective syncretistic cult remaining in the world today, our world's only ecumenical faith. It provides the daily ritual, uniting Christian, Hindu, Mormon, atheist, Buddhist, Sikh, Adventist, animist, evangelist, Muslim, Jew, fundamentalist and New Ager in one common temple, admitting all alike. (Hillman,1995) As information replaces working capital, so intellectual assets replace physical ones -- the World Wide Web becomes the electronic marketplace where ideas are shared, exchanged, bought and sold. It is an ideal environment for two most very different participants -- conceptual artists and multi-national corporations. At the core of conceptualist aspirations is a move away from the object toward establishing the primacy of the idea, while mulitnational corporations always defied borders and have moved from physical product to intellectual capital. "Intellectual capital, as defined by Thomas Stewart, is -- knowledge, information, intellectual property and experience -- that can be put to use to create wealth. It is collective brainpower. Knowledge has become the preeminent economic resource--more important than raw material; more important, often, than money. (Stewart, 1997) With this in mind, I propose development of an Information Personae, a mixture of agent and avatar technologies, engineered to address the following questions: If knowledge and communication are fast becoming a primary economic asset, what are the implications for creative communities working on the World Wide Web? How does collective knowledge manifest itself when not directly related to corporate structure, specifically in relation to creative communities [sic].Can we become conscious of how information that represents us travels? If artwork is no longer constrained by physical space, objecthood and gallery systems, what forms may creative knowledge assume? How is creative knowledge positioned in the world of electronic commerce? And finally, building on the heritage of conceptual artists and contemporary philosophers who question authorship, institutions and the role of commerce in the arts, how do creative concepts figure in electronic economies?" --Victoria Vesna, from "Marketplace" ++++++++++++ For more information on Max Herman's appearance on C-Span, go to http://video.c-span.org:8080/ramgen/odrive/c2k092200_nader.rm ++++++++++++++ Item Last: As Ralph Nader said, it's important to document your indignation. Be sure to do so in whatever way you know how. Here's to world peace, Max Herman The Genius 2000 Conference 2000 http://www.geocities.com/~genius-2000 _______________________________________________ Nettime-bold mailing list Nettime-bold@nettime.org http://www.nettime.org/cgi-bin/mailman/listinfo/nettime-bold