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Table of Contents:
salt =?iso-8859-1?Q?=B4n=B4?= peppa out now ;-)
Redaktion <response@i-love-u.ch>
Re: RHIZOME_RAW: "Technically Engaged" at AIR, NYC
cristine wang <cristinewang@yahoo.com>
Mark Tribe's talk @johui postponed to Friday, Janunary 26 2001
z@apiece.net
Opening "re.sound" Thursday 1.11.01 6-9PM
MIG <MIG@movingimagegallery.com>
www.mek-software.de & organizing at amazon (dortmund, 16.1.01)
helmut@free.de
TAKING CARE | Opening Friday January 5
"SMART Project Space" <smartps@xs4all.nl>
you are invited to join THE BANK OF TIME
"Dr. Future" <richard@dig-lgu.demon.co.uk>
http://meta.am/rand/ 50 years
m e t a <meta@meta.am>
Jordan Crandall: Heatseeking
Gena Gbenga <gbenga@blast.org>
Barbara London: Curator of Video and Digital Media, MOMA will join us as the 10t
cristine wang <cristinewang@yahoo.com>
Re: BKCLNPBK.EXE - Virus
Andreas Broeckmann <abroeck@transmediale.de>
010101 projects - direct links
"A!" <a@entropy8zuper.org>
------------------------------
Date: Wed, 03 Jan 2001 03:27:08 +0800
From: Redaktion <response@i-love-u.ch>
Subject: salt =?iso-8859-1?Q?=B4n=B4?= peppa out now ;-)
http://www.i-love-u.ch
January issue 2001: "pepper and salt"
monthly appearing e-zine for multimedia art,
monthly changing subject, no-commerce platform for cyber-artists,
photographers, screen-designer, e-musicians, movie-makers, comic-developers...
visit http://www.i-love-u.ch
our snailmail:
i love u ezine
kellergaesslein 7
CH-4051 Basel
Switzerland / Europe
die redaktion (adnan, ruth, chm, eva, andrea, patrick, lovegod and so on...
see editorial http://www.i-love-u.ch)
To unsubscribe, write mailto:response@i-love-u.ch (subject: unsubscribe)
<meta name=description content="www.i-love-u.ch - I love U -
monthly outcoming e-zine - every time a new topic. Next month's theme:
lecker.
feel free to join us and to send contributions to response@i-love-u.ch">
------------------------------
Date: Wed, 3 Jan 2001 06:08:00 -0800 (PST)
From: cristine wang <cristinewang@yahoo.com>
Subject: Re: RHIZOME_RAW: "Technically Engaged" at AIR, NYC
*erratum*
AIR Gallery will be premiering new work
commissioned by The Alternative Museum's Digital
Media Commissions 2000:
Yael Kanarek: "Roam 1.0"
Tina LaPorta: "Re:mote_corp@REALities"
Jennifer + Kevin McCoy: "Every TV, Every Episode"
These projects were developed during a 6-month
cyber residency at the museum.
The recipients received a $3000 honorarium to
develop a new project for a networked environment
for The Alternative Museum's Digital Media
Collection.
The completed project will be presented
exclusively on the Alternative Museum website for
a period of at least 12 months.
The artist retains copyright to the work.
The artist grants the Alternative Museum the
non-exclusive right to archive and present the
project in perpetuity.
((**Please kindly include the above on all press
releases + publications relating to the above TAM
Digital Media Commissioned Projects.**))
Kind Regards,
Cristine Wang
Curator New Media Arts
The Alternative Museum
594 Broadway New York 10012
http://www.alternativemuseum.org
http://www.alternativemuseum.org/tam_monitor
- --- Jennifer Crowe <jennifer@rhizome.org> wrote:
>
> ++++++++++++++++++
>
> AIR Gallery is pleased to announce:
>
> Technically Engaged
>
> New and ongoing work from Yael Kanarek, Tina
> LaPorta, Diane Ludin, and
> Jennifer & Kevin McCoy.
> Curated by Jennifer Crowe.
>
> Also opening:
>
> <CONTENT="null">
> An installation by debra l. hampton
>
> January 6-27, 2001
> Opening Reception Jan. 6, 7:00-10:00pm
> After party, location TBA
>
> AIR Gallery
> 40 Wooster St., 2nd Floor
> New York, NY 10011
> (212) 966-079
> Gallery Hours: Tu-Sa, 11am-6pm
>
> ++++++++++++++++++++++
>
> Technically Engaged presents new and ongoing
> artworks from New York-based
> women and their collaborators who work in the
> digital realm. Diverse in
> their subjects and method of engagement with
> the digital, these artists
> will present work that traces and tracks the
> flow of information and
> persons, as well as the flow of cultural
> knowledge. This exhibition
> proposal arose out of a series of group
> meetings where the artists shared
> their current work and discussed what it means
> for them to engage, as
> women, with the digital.
>
> Yael Kanarek will create an installation
> extending her ongoing Web project,
> World of Awe, an online journal and virtual
> environment describing the
> adventures of a traveler in search of lost
> treasure. The installation will
> contain two components: a computer running a
> local version of the World of
> Awe Web site and two drawings on C-prints
> created in situ at the exhibition
> opening on January 6th of World of Awe's
> digital desert landscape that
> evidence the travel of visitors through of the
> Web site.
>
> Diane Ludin's Data Mirror: Touchable Video is a
> semi-interactive
> installation focused on the emerging data
> interface used to draft a working
> copy of the Human Genome. This installation
> will include two touch screen
> monitors, a video switcher, computer and wall
> collage of data sequences
> from the publicly funded governmental database
> used to record the research
> and development of code in assembling a working
> copy of the Human Genome.
>
> Jennifer and Kevin McCoy's Every Shot Every
> Episode is a visualized
> database in which television shots are
> categorized, rationalized, and
> displayed with custom media players. The
> computer has underlined the play
> of surfaces that structure our consumption of
> media. In this piece,
> television is reexamined as a data field in
> which meaning is generated in a
> new, critical, way from the same old material.
> Each day, three different
> categories will be on view.
>
> Tina LaPorta's Re:mote_corp@REALities is a
> video and sound installation
> that explores the desire for communication
> between geographically separated
> participants mediated by the surface of the
> computer screen. In
> Re:mote_corp@REALities, video clips from
> CUseeMe online chat sessions
> simulated by LaPorta dissolve one into the
> next, while an audio track based
> on various interviews fills the gallery with
> sound. Both the artist and
> viewers are "witness to an emerging
> intersubjectivity-- a syntax unique to
> on-line culture."
>
> Technically Engaged is part of the e.mergence
> series at AIR Gallery, which
> features presentations and exhibition
> opportunities for women working in
> digital, electronic, and new media art. Since
> the first event in January
> 2000, e.mergence has expanded to include
> opportunities to curators working
> with new media and web-based artists. With this
> series, AIR hopes to
> provide exposure, discussion, and resources for
> those working with and
> interested in digital media. E.mergence is
> organized by debra l. hampton
> and Sheila Manion Artz.
>
> Support and funding for this exhibition is
> provided by:
>
> Louise McCagg, artist, AIR member
> The Gifford Foundation
> Experimental Television Center Presentation
> Funds
>
>
> For more information contact:
>
> Jennifer Crowe
> (917)923-5269
> jennifer@rhizome.org
>
> AIR Gallery
> 40 Wooster St.
> NYC
> (212)966-0799
> www.airnyc.org
>
>
> For more information about e.mergence:
> http://www.airnyc.org/emergence/index.html
>
> The Artists:
>
> Yael Kanarek
>
> World of Are 1.0
> www.worldofawe.net
> "World of Awe Launched"
> http://www.rhizome.org/object.rhiz?1773
> "Interview with Yael Kanrek" by T. Whid
> http://www.rhizome.org/object.rhiz?1812
> treasure/crumbs new media initiatives
> www.treasurecrumbs.com
>
>
> Tina LaPorta
>
> inter:view
>
http://www.uta.edu/huma/enculturation/3_1/laporta/
> <<<eye to the ear remix>>>
>
http://www.bekkoame.ne.jp/i/ga2750/tina/mix.html
> Distance
> http://turbulence.org/Works/Distance/
> :::net.works + avatars:::
>
http://heelstone.com/meridian/templates/laporta/
>
> Diane Ludin
>
> The Thing
> http://www.thing.net/~diane/
> Identity Runners Re_Flesh the Body
>
http://www.franklinfurnace.org/tfotp00/ludin.html
> Genetic Response System: Version 3.0
> http://www.turbulence.org/Works/genresponse
> Harvesting the Net: Memory Flesh
> http://memoryflesh.walkerart.org
>
> Jennifer & Kevin McCoy
>
> www.mccoyspace.com
> Airworld
> www.airworld.net
> http://www.walkerart.org/gallery9/mccoy/
> "Interview: Jennifer and Kevin McCoy" by
> Josephine Bosma
> http://www.rhizome.org/object.rhiz?1562
>
>
>
>
>
>
__________________________________________________
Do You Yahoo!?
Yahoo! Photos - Share your holiday photos online!
http://photos.yahoo.com/
------------------------------
Date: Wed, 03 Jan 2001 11:54:59 -0800
From: z@apiece.net
Subject: Mark Tribe's talk @johui postponed to Friday, Janunary 26 2001
Mark Tribe talks @ jihui
- - about Rhizome, about netart (past-current-future)
Presented by jihui (A Project of the NetArt Initiative)
Friday, Janunary 26, 2001 7 PM at
Parsons Center for New Design
55 West 13th Street, 9th Fl.
New York, NY 10011
live webcast at http://netart-init.org 7pm est.
------------------------------
Date: Wed, 03 Jan 2001 15:53:54 -0800
From: MIG <MIG@movingimagegallery.com>
Subject: Opening "re.sound" Thursday 1.11.01 6-9PM
- --=====================_522093600==_.ALT
Content-Type: text/plain; charset="us-ascii"; format=flowed
For Immediate Release:
RE.SOUND January 11-31, 2001
Opening Thursday January 11, 2001 6-9PM
Moving Image Gallery
414 Broadway
New York, NY 10013
Gallery hours Tuesday- Friday 11- 4
or by Appointment.
RE.SOUND
An audio installation by Jody Elff
Jody Elff uses computer technology to extract sonic elements from the
gallery environment and interpret these elements in new, musical ways.
RE.SOUND is activated by the sonic energy of the audience and the room. The
computer responds to these ambient sounds and adds to them, thereby
creating the sonic environment that surrounds the participant in the gallery.
The artist intends to generate an interactive musical experience, which
magnifies the underlying sonic palette we experience in our daily lives.
Through reinterpretations of data found in a particular space, Jody Elff
has taken this practice into the realm of sound, creating an environment
where "found sound" is the launching-off point for a new series of musical
events.
Contact: Michele N. Thursz
Phone: 212.966.4741
e-mail: michele@movingimagegallery.com
MIG / Moving Image Gallery
414 Broadway # 3 FL
New York, New York 10013
212.966.4741
MIG@movingimagegallery.com
http://www.movingimagegallery.com
*If you ever want to be taken off the MIG mailing list, please reply to
this email with the word "Remove" in the subject
------------------------------
Date: Thu, 4 Jan 2001 12:48:12 +1100
From: helmut@free.de
Subject: www.mek-software.de & organizing at amazon (dortmund, 16.1.01)
From: helmut@free.de
Guten Tag.
mek software, die "offene arbeitsgemeinschaft für beschäftigte,
herumtreibende, studierende und (schein-) selbstständige in IT und new
economy" in der Region Dortmund ist nun "richtig" im Netz. Was seit Mai
2000 sein tristes Dasein als Embryo (ohne Patent) im Netz fristete, ist nun
eine Website geworden: www.mek-software.de - die in Wirklichkeit auf dem
Bakunixserver (!?) von free.de im "Langen August" zu Dortmund liegt.
Unsere Page ist textorientiert und ganz konservativ organisiert: "Aktuell"
samt Kontaktmöglichkeiten im Mainframe, ein statischer "Content" Frame mit
gegenwärtig 8 Rubriken: Beruf-Alltag, Tipps, Kritik@Dortmund-Projekt,
mek-Archiv, Links, Quell der Weisheit, scheiss-firma.de und Pranger.
Wir hoffen nicht nur auf regen Besuch, sondern auch auf unglaubliche Berge
von Verbesserungsvorschlägen. Wir publizieren jeden inhaltlichen Beitrag (so
gewünscht) unkommentiert am "Pranger" .
Neben hoffentlich vielen inhaltlichen Streitigkeiten: Wir haben eine relativ
umfangreiche kommentierte Linkliste. Auf die sind wir einigermaßen stolz,
weil wir schon denken, sie spiegelt eine breite Palette von Themenbereichen
wieder. Wer sich dort wiederfindet, aber nicht richtig, soll sich ebenso
melden, wie wer meint, daß er, sie oder es fehlt (oder einen nicht
funktionierenden findet).
Der größenwahnsinnige Anspruch: wir wollen die überraschendste,
vielfältigste und lebendigste "Neue Zeit"- Page der bundesdeutschen
gewerkschaftlichen bzw gewerkschaftsnahen Szene machen - vielleicht auch die
umstrittenste...
Und ausserdem nutzen wir die Gelegenheit, auf die nächste mek-Veranstaltung
hinzuweisen - BesucherInnen der Page finden das zwar vornedrauf, aber , wer
weiß...
- -----
mek software
Einladung zur Informationsveranstaltung
Organizing at Amazon
New economy - old Jobs?
Das ist eine der Fragestellungen, unter denen seit kurzer Zeit mehrere US -
Gewerkschaften (unter anderen Washtech, die Micro$oft Gewerkschaft) weltweit
eine Organisationskampagne beim Flagschiff der new economy, dem Versandhaus
Amazon.com machen. Ziel: Die Organisierung einer "new economy workers
union".
In der BRD wird diese Kampagne in Zusammenarbeit mit dem Projekt Logistik
der Gewerkschaft hbv und den künftigen ver.di Gewerkschaften beim
Zentrallager von Amazon.de im hessischen Bad Hersfeld organisiert.
Wir haben den Vertreter der amerikanischen Kampagne in Deutschland, Jeffrey
Raffo eingeladen, diese Arbeit und ihre bisherigen Ergebnisse vorzustellen.
Datum: Dienstag, 16. Januar 2001, 19 Uhr
Ort: Bildungszentrum der ver.di Gewerkschaften
Königswall 36 , 2.Etage
(ÖTV Haus, schräg gegenüber HBF).
(Hinweis: im Juni werden wir eine weitere Informationsveranstaltung zum
Thema Amazon machen, dann mit Betriebsräten des Zentrallagers in Bad
Hersfeld).
Dies ist eine Veranstaltung des mek software in Zusammenarbeit mit dem AK
International der IG Medien Dortmund.
- ------------------------------
Helmut Weiss
Beurhaus Str. 25
44137 Dortmund
0231 55 63 38
0174 72 31 465
helmut@free.de
01747231465@d2-message.de
------------------------------
Date: Thu, 4 Jan 2001 18:18:07 +0100
From: "SMART Project Space" <smartps@xs4all.nl>
Subject: TAKING CARE | Opening Friday January 5
This is a multi-part message in MIME format.
- ------=_NextPart_000_0294_01C0767A.B233C9C0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
SMART Project Space | 1e Constantijn Huygensstraat 20, Amsterdam
requests the pleasure of your company at the exhibition opening of:
Taking Care | Januari 5 - Februari 11, 2001
Work by Hanspeter Ammann, Frank Thiel, Hartmut Wilkening, Edwin Zwakman
Curated by Thomas Peutz
Opening Friday Januari 5, 21.00 hours.
After opening party with deejays Taco Fett & Bart Fader
Taking Care proposes a critical reflection on our condition, living in a =
pragmatic 'post...' (postmodern, post-ideological, post-political) =
society. Even if we don't believe in the 'end of history', in the 'end =
of ideology' or the 'end of the politic', we feel that we are living in =
a world where history, ideology and the politic merely survive as =
semblances of their former selves. They fail to explain the world to us =
and hence they don't excite us anymore. We seem to be losing our =
nostalgic dreams about the past and our utopian dreams about the future. =
At the same time we have come to feel at home in the capitalist global =
world order and assume this to be the 'natural' social regime of our =
society. After Slavoj Zizek, you could say that we live in a Real =
society in which reality, the social reality of actual people involved =
in interaction, is losing out. The Real, as the inexorable 'abstract' =
spectral logic of Capital, determines what goes on in social reality, =
but does so without concern for individual people. The fate of whole =
strata of populations, even of whole countries, is decided by the =
solipsistic, speculative dance of Capital, which pursues its goal of =
profitability with a blessed indifference to the way its movement will =
affect social reality. This gap is palpable in the way the economic =
situation of a country can be considered good and stable by a government =
and financial experts, even when a majority of its people are =
experiencing decreasing standards of living and worsening social =
facilities and health care. Living in a Real world were reality doesn't =
matter anymore, actual people (expressing concern or frustration) tend =
to be considered a threat to society. At this point the exercise of =
power and control become predominant in governments and government =
institutions. With this exhibition, we want to challenge politicians and =
their agents to be aware of this growing gap between the Real and =
reality. We feel that in this new century the greatest threat to our =
society will not come from individual people, but from governing bodies =
who forget about their foundation in real individuals and their =
relations, and who, in overlooking the gap, operate under the pretence =
that they are directly addressing 'real people with their real =
concerns'. (loosely based on Slavoj Zizek, The Fragile Absolute, =
London/NewYork, 2000).
Sponsored by: Gemeente Amsterdam, Mondriaan Stichting, Mentrum, Brand =
Bier,
Beam Systems.
SMART Project Space | www.smartprojectspace.net
1e Constantijn Huygensstraat 20, NL-1054 BW Amsterdam
Post Office Box 15004, NL-1001 MA Amsterdam
Phone: +31 20 427.5951 / 5952 | Fax.: +31 20 427.5953
Email: info@smartprojectspace.net
------------------------------
Date: Thu, 04 Jan 2001 15:37:51 +0000
From: "Dr. Future" <richard@dig-lgu.demon.co.uk>
Subject: you are invited to join THE BANK OF TIME
- --------------91F76B61D57B83871B6EB2DE
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: 8bit
GROWTH FROM IDLENESS
Announcing the launch of "The Bank of Time"
____________________________________
www.theBankofTime.com
The Bank of Time is a free screensaver that records your idle time
and visualises it by growing plants.
/// Turning Dead Time into Natural History ///
Visit the Idleness Growth Tables where your idle time is saved and
compare its growth to that of other users from all over the world. As
more people save with The Bank of Time you will soon be able to learn
whose computers have been the most inactive and which organisations
have been slacking.
/// The Last Human Activity to be Commodified is Inactivity Itself ///
The Bank of Time is available for both Mac and Windows and
will run on any computer that has an internet connection.
Download screensaver now from www.theBankofTime.com/download
/// Join the Economy of Lost Time ///
______________________________
email: info@theBankofTime.com
©2000 Futurenatural Films
------------------------------
Date: Wed, 3 Jan 2001 14:42:24 -0700
From: m e t a <meta@meta.am>
Subject: http://meta.am/rand/ 50 years
Research released in June by the Wireless Technology Research program,
which is funded by the wireless phone industry, shows that radiation from
cell phones is not strong enough to break DNA. However, it does cause
genetic changes in the blood.
It will be at least 50 years before artificial neural circuitry approaches
the abilities of the brain and its 240 billion neurons, Sarpeshkar said.
An encounter with a new operating system is all about its potential for
change and adaptation; what we encounter is closer to an embryo than a
fully-grown organism. It's a kind of ghost of interfaces to come.
http://meta.am/rand/dhp2.jpg
http://meta.am/rand/
http://meta.am/
//
------------------------------
Date: Thu, 04 Jan 2001 17:32:52 -0500
From: Gena Gbenga <gbenga@blast.org>
Subject: Jordan Crandall: Heatseeking
Jordan Crandall
Heatseeking
11 January - 17 February 2001
opening reception Thursday, 11 January, 6-8pm
Sandra Gering Gallery
476 Broome Street, 2nd floor
New York, NY 10013
(212) 226-8195
sandra@geringgallery.com
http://www.geringgallery.com
http://www.blast.org/crandall
- --
An erotic imaginary of technology/body/artillery fusion, composed
through visual and rhythmic networks and contoured under the conditions
of war. - Jordan Crandall
- --
Heatseeking is a series of 7 films shot by Jordan Crandall in the San
Diego/Tijuana border region. Captured on 16mm film as well as on video
from surveillance cameras, miniature "stealth" cameras, and infrared
thermal imaging systems, Heatseeking addresses the increasingly
sophisticated and aggressive systems through which the border is
policed.
Although it points specifically at a technics of control, Heatseeking is
not a one-way argument about power. In the films, Crandall evokes the
erotic tension of watching and being watched and explores the new
vectors of desire that erupt in an increasingly militaristic culture.
Crandall says: "The 'border' is not only a territorial marker but a
provisional divider, helping to contour self and body, and its policing
mechanisms have subjective dimensions. Tracking, targeting, and
identifying formats begin to seep into the way we see, behave, and
desire. They enter into the very structure of perception. The camera
marks the place of battle."
With Heatseeking, as with his previous project Drive, Crandall is
occupied with the development of a postcinematic language. Combining
cinematic formats with a military-driven "strategic seeing," he moves
toward a political language that is resonant with the visual networks in
which we are now entangled. Crandall targets the power dynamics around
contemporary moving images: "sites where body and senses are adjusted,
oriented, 'armed,' and contoured within complex new formats of
movement."
Heatseeking was commissioned by InSITE2000, a bi-national project of 27
cultural institutions in the US and Mexico. It is also currently on
view in San Diego until February 25. For information see
http://www.insite2000.org.
Coinciding with this exhibition at Sandra Gering Gallery, Jordan
Crandall will present two excerpts from Drive at The Kitchen, 512 West
19th Street, New York. The exhibition will run from 5 - 26 January
2001. Admission is free. On Saturday, 20 January, at 6pm, The Kitchen
will present a TV DINNER with Jordan Crandall. The evening will be
moderated by Lawrence Rinder, Curator of Contemporary Art at the Whitney
Museum. The cost is $20 and it includes dinner. For reservations call
(212) 255-5793. The Kitchen's TV DINNER series invites groundbreaking
video and new media artists to show their work and share their thoughts
in an informal atmosphere. The audience meets the artist over
screenings of work and a vegetarian dinner provided by a neighborhood
restaurant.
http://www.blast.org/crandall
Sandra Gering Gallery hours are Tuesday through Saturday, 10am - 6pm.
For further information please contact Marianna Baer at (212) 226-8195
or sandra@geringgallery.com.
------------------------------
Date: Thu, 4 Jan 2001 23:57:09 -0800 (PST)
From: cristine wang <cristinewang@yahoo.com>
Subject: Barbara London: Curator of Video and Digital Media, MOMA will join us as the 10th panelist for:
Barbara London: Curator of Video and Digital
Media, MOMA will join us as the 10th panelist
for:
Dystopia + Identity Panel Discussion:
"On The Presentation of Online Art in Physical
Space"
Saturday, January 6 (6-8pm)
Tribes Gallery
285 East Third Street New York
- -------------------------------------------------
London is a Curator at New York's Museum of
Modern Art. She's been there since 1974, when she
founded the Museum's ongoing Video Exhibition
Program. She built an essential context for the
visionary statements being made internationally
in video and media art by multi-cultural voices,
emerging talents, and more established artists
such as Laurie Anderson, Gary Hill, Mako
Idemitsu, Joan Jonas, Shigeko Kubota, Nam June
Paik, Bill Viola and Zhang Peili. Her objective
has been to link the electronic arts with the
more traditional art mediums. To document,
preserve, and support this vital art field, she
the Video Study Center and assembled its unique
collection of more than 1,000 independently
produced videotapes and related historical and
theoretical publications. She is also an
Instructor at the School of Visual Arts, 1994-97.
To further her professional development, Ms.
London took two sabbaticals to investigate new
trends in electronic technologies and the effects
on the creation and distribution of the arts in
Japan.
Selected bibliography:
"InterNyet: A Curator's Dispatches from Russia
and Ukraine."
http://www.moma.org/onlineprojects/internyet/index.html
"Stir-fry: A Curator's Dispatches from China."
http:// www.adaweb.com/context/stir-fry
"Non-Personal Computer Art," Lyon Biennial. Lyon,
Musee d'Art Contemporain, 1995.
"Time as Medium: Five Artists' Video
Installations." Leonardo, Vol. 28, No. 5. Video
Spaces: Eight Installations. The Museum of Modern
Art, New York, 1995.
"Video Wall Paik," The Electronic Super Highway.
Holly Solomon Gallery, New York, and Carl Soloway
Gallery, Cincinnati. 1994
"Experimental Film and Video," Japanese Art after
1945: Scream against the Sky, Harry N. Abrams,
New York, 1994.
"Hissing and Kissing the Wind," Sound and Vision.
Deutsches Filmmuseum, Frankfurt am Main, 1994.
"Sculpted Animations," Kenji Yanobe: 1990-1994.
Rontgen KunstInstitute, Tokyo, 1994.
"Ideal Copy," Ch; Exchange. Hara Museum of
Contemporary Art,Tokyo, 1993.
"Electronic Explorations," Art in America, May
1992.
"Video Letter of Shuntaro Tanikawa and Shuji
Terayama," Camera Obscura, Los Angeles, Fall
1991.
+++++++++++++++++++++++++++++++++++++++++++++++++
please join us for a drink + some new media chat
in front of the fireplaces with barbara london
and all the other panelists: andy deck, ricardo
dominguez, jon ippolito, jenny marketou, saul
ostrow, christiane paul, helen thorington, mark
tribe and maciej wisniewski on:
**Saturday, January 6 (8-10 pm)**
NO MALICE PALACE
197 E 3rd Street (btw Avenue A and B)
++++++++++++++++++++++++++++++++++++++++++++++++++
__________________________________________________
Do You Yahoo!?
Yahoo! Photos - Share your holiday photos online!
http://photos.yahoo.com/
------------------------------
Date: Fri, 5 Jan 2001 09:11:36 +0200
From: Andreas Broeckmann <abroeck@transmediale.de>
Subject: Re: BKCLNPBK.EXE - Virus
dear friends,
somebody is spamming very aggressively with what i assume are virus
attachments. they are using mailers which they break into, like
syndicate-owner.
i have, probably like others, received this one several times via different
channels. my mac does not get af/in/fected, but they are a pain in the ass
and dangerous for windows users.
throw them away, and make sure that ms outlook is not configured to open
these things automatically.
greetings, safe surfing,
- -a
ps: i love you.
------------------------------
Date: Fri, 05 Jan 2001 11:11:22 +0100
From: "A!" <a@entropy8zuper.org>
Subject: 010101 projects - direct links
eric adigard
http://timelocator.projects.sfmoma.org/
entropy8zuper!
http://eden.garden1.0.projects.sfmoma.org/
mark napier
http://feed.projects.sfmoma.org
matthew ritchie
http://newplace.projects.sfmoma.org/
thompson&craighead
http://yahoo.projects.sfmoma.org
------------------------------
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