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Table of Contents: Internet Moving Images Archive Rick Prelinger <footage@panix.com> LINK: Photos from Goa... Frederick Noronha <fred@bytesforall.org> [collective jukebox 3.0] Marseille 20 jan 2001 jerome joy <joy@thing.net> R E A L T O K Y O vol.10 Tetsuya OZAKI <ozaki@blue.ocn.ne.jp> for announcer | conference on UK gov's communications white paper matthew fuller <matt@axia.demon.co.uk> =?iso-8859-1?Q?art=B4s_birthday_1.000.038?= "Pomodoro Bolzano" <mail@artbirthday.com> [ot] [!nt] \n2+0\ The 6th Experimental Chaos Conference integer@www.god-emil.dk Re: nettime-l-digest V1 #172 komninos zervos <k.zervos@mailbox.gu.edu.au> DIGITAL ART HISTORY TIME Oliver Grau <oliver.grau@culture.hu-berlin.de> between image and sound - call for entries garage <info@garage-g.de> ------------------------------ Date: Thu, 11 Jan 2001 08:13:51 -0800 From: Rick Prelinger <footage@panix.com> Subject: Internet Moving Images Archive The Internet Moving Images Archive site is up and running (though, I hasten to say, still under construction). This resource contains high-quality digital video files representing ephemeral (advertising, educational, industrial, documentary, amateur and government) films relevant to the study of 20th-century American culture and society, media and media production, communication, technology, landscape, urban history, economics, political science, warfare, the New Deal, and many other subject areas. At present it contains approximately 360 out of a planned total of 1001 titles, all from Prelinger Archives. All are available for free downloading and reuse, with no restrictions other than that the films cannot be resold or licensed by anyone in their entirety or as stock footage. Our intention is that these titles should circulate freely as "open-source" content. I encourage you to download this material for your own use and for the use of your patrons. I hope that easy access to these films will assist scholars, mediamakers, teachers, students, exhibitors and members of the general public in coming to terms with the complex and diverse audiovisual history of the 20th century. The digitized video files are in MPEG-2 format; see the site for information on playback. In the next few months they will also be available in MPEG-4 for lower-bandwidth users. Please visit the site at http://www.moviearchive.org/movie/index.html. Shortly, the simplified URL will be http://www.moviearchive.org. At the moment, the site does not work with Netscape, but we are working on fixing this shortly. It works fine with Opera and IE. An article on the background and rationale for this project may be found at http://eserver.org/bs/52/prelinger.html. The Internet Moving Images Archive is a project of the Internet Archive (http://www.archive.org) in collaboration with Prelinger Archives. With many thanks, Rick Prelinger Rick Prelinger Prelinger Archives http://www.prelinger.com P.O. Box 590622, San Francisco, Calif. 94159-0622 +1 415 750-0445 Fax: +1 415 750-0607 footage@panix.com ------------------------------ Date: Fri, 12 Jan 2001 23:09:27 +0530 From: Frederick Noronha <fred@bytesforall.org> Subject: LINK: Photos from Goa... May I invite you to view some of my recent photographs from Goa at www://in.photos.yahoo.com/fredericknoronha - -- *********************************************************** frederick noronha, freelance journalist, fred@bytesforall.org near convent, saligao 403511 goa india 0091.832.409490/ 409783 *********************************************************** Bytes For All http://www.bytesforall.org News from Goa http://www.goacom.com/news/ Photos from Goa http://www.goa-world.net/fotofolio/ FotoFolio@Yahoo http://in.photos.yahoo.com/fredericknoronha GoaResearchNet http://www.geocities.com/Athens/Forum/1503 *********************************************************** ------------------------------ Date: Sun, 14 Jan 2001 19:51:58 +0100 From: jerome joy <joy@thing.net> Subject: [collective jukebox 3.0] Marseille 20 jan 2001 :::::::::: c o l l e c t i v e j u k e b o x 3.0::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::: i n f o : http://homestudio.thing.net/ :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::: j u s t p l a y i t ! :::::::::: j u s t l i s t e n t o i t ! :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: __________________________________________________________[001]_______ ::::::::::: o p e n i n g ::::::::::::: Version 3.0. Collective JukeBox / Marseille 20 janv - 31 mar 2001 . . . FRAC PACA, MARSEILLE FRANCE 1, Place Francis Chirat, 13002 Marseille . w/ LMX etape 2 . . LMX step 2 is a project presented by Claire Dehove and Laurent Malone with: LMX etape 2 est un dispositif presente par Claire Dehove et Laurent Malone avec: . Acces Local, Dennis Adams, Ruedi Baur, Emmanuelle Bentz, Kate Blacker, Andrea Blum, Collective JukeBox, Cooked in Marseilles, Nancy Crater, Dig Ding Dong, Groupe Dunes, Bruno Guiganti, Patrice Hamel, IDSland/Olivier Peyricot, Veronique Joumard, Jean-Marie Krauth, Nadia Lauro, Guy Lelong, Erik M., Philippe Mairesse, Antoni Muntadas, Soussan LTD... . :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: __________________________________________________________[002]_______ ::::::::::: p r e s e n t a t i o n ::::::::::::: Within the framework of the "LMX" exhibition organized by Laurent Malone and Claire Dehove with the FRAC PACA in Marseille, Collective JukeBox continues its hectic evolution with this new version 3.0. In Marseille, Collective JukeBox 3.0 will be presented on a "real" jukebox machine and into a user-friendly room jointly with other rooms where other artists will present their works . During three months a lot of interventions by artists and critics from different artistic domains will be presented as lectures, debates, videos, and so on. LMX will be a place of discussion, of consultation and of debates. The general context will offer a place and a moment of conviviality. Dans le cadre de l'exposition LMX organisee par Laurent Malone et Claire Dehove au FRAC PACA a Marseille, le Collective JukeBox continue son evolution trepidante dans sa nouvelle version 3.0 . A Marseille, Collective JukeBox 3.0 sera presente sur un "vrai" jukebox dans une salle conviviale conjointe a d'autres espaces ou d'autres artistes presenteront leurs travaux. Durant 3 mois un programme d'interventions par des artistes et des critiques issus de differents domaines artistiques est mis en place: conferences, debats, projections video, etc. LMX sera un lieu de discussion, de consultation et de debat. Le contexte general offrira un lieu et un moment de convivialite. The list of the participants and their works is accessible on the website. La liste des artistes et des travaux diffuses est disponible sur le site web. http://homestudio.thing.net/ 407 artists and 1027 sound and musical pieces 407 participants 1027 pieces sonores et musicales :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: __________________________________________________________[003]_______ ::::::::::: p r o j e (c) t s ::::::::::::: 2001: presentations of the Collective JukeBox in Tours (France) in april, in Nantes (France) in may (not confirmed), in Paris (France) in may and june (not confirmed), and after in Porto (Portugal) and in Genoa (Italy) (not confirmed) and other propositions in progress. 2001: opening of the new space http://jukebox.thing.net/ . A new project with a new jukebox on-line with new works specially for the internet interface. News soon ! This electronic place will certainly function with the new free open sound standard .ogg which seems to be better than the mp3 standard. We will appeal to all the artists of the project for new contributions and new works specially for the internet media. 2001: the Collective JukeBox project will open a Cooperation General Charter or a Cooperation General License for encouraging and helping the development of the whole project. This will appear in February. This Charter or License will describe the different aspects of participation, presentation, and distribution induced by the project. 2001: we're preparing some different propositions of editions: different series of Collective JukeBox T-shirts, a printed book with the participation of all artists of the project about the engagement of such a cooperative project, a series of printed posters, and so on. We're thinking too about a foolish but great idea: to organize a meeting with all the artists who take part in the Collective JukeBox. This meeting could a kind of one-week event with live events, lectures, debates, communications and so on... 2001: in parallel of the version on the Cd-player jukebox machine, we'll develop new presentations of the project with new audio player systems. Our perspective today is to use jukebox player with hard-disks and computer controlled, with tactile screen interface, and with network accesses for the artists. This will permit to resolve the increasing needs of digital memory (actually more than 60 CDs are included into the jukebox machine and the capacity is about 100 audio Cds max.), and the hard work to digitilize all the works in the same standard. This will permit too to encourage the presentation of the project because we see today a lot of propositions for presenting the Collective JukeBox and we think that this will increase next months. We're preparing an industrial partner for using freely an existing device or for developing a kind of prototype specially for the project. . . . . jerome joy _________ http://homestudio.thing.net/ _________ http://jukebox.thing.net/ ------------------------------ Date: Wed, 17 Jan 2001 00:22:05 +0900 From: Tetsuya OZAKI <ozaki@blue.ocn.ne.jp> Subject: R E A L T O K Y O vol.10 R E A L T O K Y O _____16_01_2001_Tue_vol.10___________ http://www.realtokyo.co.jp/ [This Week's Index] (1) Tokyo, 4 Weeks: *Cutting Edge Theatrical Play Experience Tour by Unita Momiichi (2) Must-see Events Around the World: by Fukuda Miki (3) Out of Tokyo 006: Kisaragi Koharu and 00s by Ozaki Tetsuya (4) Present of the Week: *Tower Records' CD case & sticker and many others! ================================================================= (1) Tokyo, 4 Weeks ================================================================= Cutting Edge Theatrical Play Experience Tour by Unita Momiichi A play by Gokiburi Combinat is dirty, dangerous and mad. The characters in their plays are all living at the bottom of society; a useless and angry bunch. The black drama of sticky chaotic flesh- ly desire and mucous woven by this dirty bunch is carried out in a cheap musical presentation.... http://www.realtokyo.co.jp/en/4weeks/0014-unita.htm ================================================================= (2) Must-see Events Around the World ================================================================= Hong Kong, Rotterdam, Zagreb, New York, and so on! by Fukuda Miki Where did you spend your first day of the 21st century? Since we are here in timeless Asia, we can laugh at a mere 100- or 1,000- year unit of time...Among video artists dealing with the subject of time, Gary Hill's work shines with a piercing intelligence and sense of beauty.... http://www.realtokyo.co.jp/en/must/must.htm ================================================================= (3) Out of Tokyo 006 ================================================================= Kisaragi Koharu and 00s by Ozaki Tetsuya Playwright Kisaragi Koharu died unexpectedly at the end of last year at the age of forty-four. Mourning this untimely death, mu- sician Takahashi Yuji gave a heartbreaking farewell speech and sang in trembling voice at her funeral. At the end of the funeral, Kisaragi's husband, Kajiya Kazuyuki, a theatre producer, wailing in pain declared that he would seek a new theatre, promising his lost wife that he would continue to carry on with her last wish. These two eulogies moved all in attendance to tears.... http://www.realtokyo.co.jp/en/column/ozaki06.htm ================================================================= (4) Present of the Week ================================================================= To pray for many hits we've prepared lots of presents! Send in your name! Be aware that each present has a different closing date. Instead of announcing the winners we just send them their prize. (* is new!) * Tower Records' CD case & sticker Invitation to 'Rika Noguchi Exhibition' 'UNCHAIN': catalogue and sticker 'DEEP SEIJUN': catalogue 'Sweet and Lowdown': catalogue 'Gift of Hope': Invitation ticket 'Phantom the Submarine' Preview invitation tickets REALTOKYO stickers (ten per set) for thirty people. To apply and for further information, please contact: http://www.realtokyo.co.jp/en/present/present.htm Please send your ideas and opinions to info@realtokyo.co.jp. Three users who send us mail will be chosen to receive a little gift - ---PR---------------------------------------------------------------- info@realtokyo.co.jp <mailto:info@realtokyo.co.jp> REALTOKYO is looking for advertisers wanting to put banners in the website and mail magazine. Banners will get lots of hits from people attracted to a website full of catchy information on cinema, art, music, the theatre and other fun events in town. Please contact the following email address for dimensions and costs. info@realtokyo.co.jp <mailto:info@realtokyo.co.jp> - -----------------------------------------------------------------PR-- ============================================================= No part of the text or images from this site may be used without permission from the publisher. Copyright 2001 REALTOKYO - ------------------------------------------------------------- Tetsuya OZAKI Editor in Chief / REALTOKYO ozaki@realtokyo.co.jp http://www.realtokyo.co.jp/ ------------------------------ Date: Mon, 15 Jan 2001 15:59:08 +0100 From: matthew fuller <matt@axia.demon.co.uk> Subject: for announcer | conference on UK gov's communications white paper Campaign for Press & Broadcasting Freedom THE COMMUNICATIONS REVOLUTION - -WHO BENEFITS? Conference on the government's communications white paper 9.45-17.30 hrs Saturday 24 February 2001 Britannia Street Conference and Meeting Centre (NATFHE) 27 Britannia Street London WC1X 9JP Nearest station: Kings Cross/Thameslink media regulation...ownership & control...the new media... the European dimension...media superpowers...the US experience...accountability...community media...alternative strategies... Whose Revolution? With the advent of the digital age and convergence of communications technologies the government plans a massive shake-up in how electronic and print media are to be regulated in the 21st century. If proposals contained in the government's communications white paper reach the statute books as they stand they could clear the field for a take-over frenzy by the media superpowers. Strategies must be hammered out to safeguard diversity, accountability and the public service ethos, stop the fall in quality programmes and defend the space for local news and minority interests. At this major conference called by the Campaign for Press and Broadcasting Freedom, Culture Minister Chris Smith has been invited present and debate the white paper with representatives from broadcasting, press, new media, media education, trade unions, the arts and community campaigns. Conference fees: Institutions 75 (inc lunch) Trade union delegates 25 (inc lunch) CPBF members 7 Individuals 10 Students/Unwaged 4. Lunch 5 extra Register now on www.cpbf.org.uk <http://www.cpbf.org.uk/> or contact CPBF, 8 Cynthia Street, London N1 9JF. Tel 020 7278 4430. freepress@cpbf.org.uk <mailto:freepress@cpbf.org.uk> ------------------------------ Date: Tue, 16 Jan 2001 02:58:48 +0100 From: "Pomodoro Bolzano" <mail@artbirthday.com> Subject: =?iso-8859-1?Q?art=B4s_birthday_1.000.038?= Dear artists, dear art lovers, celebrate art=B4s birthday! 38 years after the declaration of art=B4s 1 000 000th birthday by the french artist Robert Filliou, PB has the pleasure to launch the beta version of a virtual panel for art: www.artbirthday.com . This open project is supposed to be a display=20 for a living network of art and for projects dedicated to art=B4s = birthday. to pay respect to art work in progress we would like to connect=20 with creative netpoints as active parts of a virtual world map of art. Join the panel with your activities. Propose your netpoint or=20 other links which you are still missing on the map. Feel very welcome to spread the spirit of artbirthday.com and=20 forward this invitation to your network or mailing list. with best wishes for 2001 Christian Wittkowsky + Max D. Well=20 ______________________ Pomodoro Bolzano ( media art work ) www.pomodorobolzano.net mail@PBspace.de=20 ------------------------------ Date: Mon, 15 Jan 2001 02:58:31 +0100 From: integer@www.god-emil.dk Subject: [ot] [!nt] \n2+0\ The 6th Experimental Chaos Conference The 6th Experimental Chaos Conference will be held in Potsdam, Germany, on July 22 - 26, 2001. The conference is sponsored by the US Office of Naval Research. Members of the worldwide scientific, medical and engineering communities interested in recent developments and techniques of experimental nonlinear dynamics are invited to attend the conference and to contribute to its technical sessions and workshops. The latest information is available at our web site: www.agnld.uni-potsdam.de/~shw/Workshop/04_ECC6/index.html CONFERENCE ORGANIZERS Juergen Kurths Universitaet Potsdam Institut fuer Physik Am Neuen Palais 10, PF 601553 Lehrstuhl Nichtlineare Dynamik D-14415 Potsdam GERMANY (49-331)-977-1429, fax: (49-331)-977-1142 juergen@agnld.uni-potsdam.de Stefano Boccaletti Departamento de Fisica y Matematica Aplicada Universidad de Navarra Irunlarrea s/n 31080 Pamplona SPAIN +34.948.425687, fax: +34.948.425649 stefano@fisica.unav.es (after February, 28th, 2001) Stefano Boccaletti, Istituto Nazionale di Ottica Applicata, Largo E. Fermi, 6, I50125 Florence ITALY +39.055.23081, fax: +39.055.2337755 stefano@ino.it Louis M. Pecora Naval Research Laboratory, Code 6343 Washington, DC 20375 USA (202) 767-6002, fax: (202) 767-1697 pecora@zoltar.nrl.navy.mil Mark L. Spano Univ. of Missouri at St. Louis Center for Neurodynamics 8001 Natural Bridge Rd. St. Louis, MO 63121 (314) 516-6688, fax: (314) 516-6152 mark.spano@ece.gatech.edu SPONSOR Michael Shlesinger Physical Sciences Division Office of Naval Research 331 Arlington, VA 22217 USA (703) 696-4220, fax: (703) 696-6887 ------------------------------ Date: Tue, 16 Jan 2001 16:11:26 +1000 From: komninos zervos <k.zervos@mailbox.gu.edu.au> Subject: Re: nettime-l-digest V1 #172 is it poetry? http://student.uq.edu.au/~s271502/kev.html sound poem http://student.uq.edu.au/~s271502/beer.html word association poem http://student.uq.edu.au/~s271502/love.html interactive poem why? please help me komninos komninos's cyberpoetry site http://student.uq.edu.au/~s271502 cyberpoet@slv site http://www.experimedia.vic.gov.au/cyberpoet/ komninos zervos, tel. +61 7 5552 8872 lecturer in cyberStudies, school of arts, gold coast campus, griffith university, pmb 50, gold coast mail centre queensland, 9726 australia. ------------------------------ Date: Tue, 16 Jan 2001 17:57:53 +0100 From: Oliver Grau <oliver.grau@culture.hu-berlin.de> Subject: DIGITAL ART HISTORY TIME The Proceedings of the International Congress of the History of Art "Digital Art History" are now on-line: Academic Section DIGITAL ART HISTORY TIME The art historical analysis of: · imagery in digital media; · networking and databases; · digital media and teaching; · museums and exhibitions digital issues; · digital images and global copyright problems; · along with several other computer demonstrations. Thirtieth International Congress of the History of Art London, 3-8 September 2000 http://www.unites.uqam.ca/AHWA/Meetings/2000.CIHA/index.html ||| ||| ||| dr. oliver grau ||| ||| ||| kunstgeschichtliches seminar der ||| ||| ||| HUMBOLDT-UNIVERSITÄT ZU BERLIN ||| ||| ||| philosophische fakultät III ||| ||| ||| dorotheenstrasse 28, d-10117 berlin ||| ||| ||| Oliver.Grau@culture.hu-berlin.de ||| ||| ||| fon. (030) 2093-4295 (dir.) (030) 2093-4209 (secr.) ||| ||| ||| fax: (030) 2093 4209 http://www.arthistory.hu-berlin.de/arthistd/mitarbli/og/og.html ------------------------------ Date: Tue, 16 Jan 2001 17:40:20 +0100 From: garage <info@garage-g.de> Subject: between image and sound - call for entries german version below. sorry for any cross-postings. Call for Entries -------------------------- 5th Festival "garage" 2001 - ---------------------------------------------------------------------- - ------------ from 27th July till 26th August 2001 in Stralsund/Germany - ---------------------------------------------------------------------- - ---------------------------------------------- between image and sound What happens between sound and image? "The eye is the master, the ear a slave" (Jakob Grimm) - the dominance of the visual over the acoustic perception is omnipresent in cultural history. Naturally, they also condition and influence each another. The function of the whole perceptional instrument is sensually and physically only possible when both interact. What happens for instance, if one withdraws the acoustic or visual component from a spacial perception. How does the space change? Or what happens, if both traces of perception are desynchronized? The relation between sound and image is transient; sight and hearing are part of associated joints which can take on new forms again and again - in respect of space, time and content. garage 01 wants to approach this relation from different angles. The attempt is to present and percieve the (mono)media individually, as far as possible and useful. The discussion can be held on a formal or theoretical basis, in substance or within exhibition and performance. Additionally, the discussion will search for new possibilities of the sythesis resp. the juxtaposition of sound and image. The medium as an instrument - the space as a realm for experiments. To try the relevance and efficiency of art beyond its aesthetical self-sake, the question of the role of the transmitter and receiver of the "data work" is an essential part of the programme. The fesitval will present 4 weeks of exhibitions, concerts, discussions, film screenings, workshops, which can be summarized under three main topics. Wanted are works or proposals for projects: [1] image with sound - or the picture on the wall 3rd international shortfilm festival "g-niale" from 2nd to 5th August 2001. The topic of the "g-niale" is related to the main festival as a conscious discussion of perception of individual media and its interaction with film and beyond. Thereby illustrating seeing and hearing in a wider sense - by emphasizing or consistent dropping of one of the two elements. (more information and entry forms under: http://www.garage-g.de/g-niale2001*.pdf) [2] image without sound - or the sound in the background two- or three-dimensional art in the public space [3] sound without image - or the image in the mind The main emphasis will lie on the discussion of new concepts of sound production/manipulation and their presentation/mediation/distribution. An excursion into the world of tunes and sounds is going to present concerts, (live) radio plays, sound installations, radio art and net audio projects. [4] sound and image - or the image within space >From monomedia to multimediea. media breaks, interaction und collaboration, frontier-crossing and synthesis. attempts to visualise sound and to set images to music. - ---------------------------------------------------------------------- garage is platform for art and culture. It is situated in the midst of the silo area in Stralsund's old port and understands itself as a non-commercial, temporally limited space for the suppport of inter- disciplinary and individual art projects with a focus on art, film and music. Please, send your ideas, suggestions, material to: garage c/o Stabenow Goehrener Str. 13 10437 Berlin Germany +49 (0) 3831 441 20 15 info@garage-g.de http://www.garage-g.de Ausschreibung -------------------------------- 5. Festival garage 2001 - ---------------------------------------------------------------------- - --------------------- vom 27.7. bis zum 26.8.2001 in Stralsund/Germany - ---------------------------------------------------------------------- - ------------------------------------------------ zwischen Bild und Ton Was passiert zwischen Bild und Ton? "Das Auge ist ein Herr, das Ohr ein Knecht" (Jakob Grimm) - die Dominanz des visuellen über das akustische Wahrnehmen ist kultugeschichtlich allgegenwärtig. Selbstverständlich aber auch ihre einander bedingende/beeinflussende Wechselbeziehung. Das Funktionieren des gesamten Wahrnehmungsaparates ist sinnlich und physikalisch nur im Zusammenspiel beider möglich. Was passiert beispielsweise, wenn ich einer Raumwahrnehmung die akustische oder die visulelle Komponente entziehe, wie verändert sich dieser Raum? Oder was geschieht, wenn beide Wahrnehmungsspuren desynchronisiert werden? Das Verhältnis zwischen Bild und Ton ist flüchtig; Gesehenes und Gehörtes sind Bestandteil eines assoziativen Gefüges, das sich immer wieder neu formieren kann - in räumlicher, zeitlicher und inhaltlicher Hinsicht. garage 01 will sich dieser Beziehung aus verschieden Richtungen nähern. Es soll zunächst der Versuch unternommen werden, die (Mono)Medien, soweit möglich und sinnvoll, isoliert dazustellen und wahrzunehmen. Die Auseinandersetzung kann auf formaler, thoretischer, ausstellungs-/ aufführungspraktischer oder inhaltlich thematischer Grundlage geführt werden. Im weitern soll nach neuen Möglichkeiten der Synthese bzw. des Nebeneinanders von Bild und Ton gefragt werden. Das Medium als Instrument - der Raum als Experimentierfläche. Relevanz und Wirksamkeit von Kunst über einen ästhetischen Selbstzweck hinaus zu prüfen, die Suche nach der Rolle von Sender und Empfänger im "Gesamtdatenwerk" ist wesentlicher Schwerpunkt des Programms. Das Festival wird wie bisher 4 Wochen lang Ausstellungen, Konzerte, Vorträge, Filmscreenings, Workshops präsentieren, die unter drei Hauptschwerpunkten zusammengefasst werden. Gesucht sind Arbeiten und Projektvorschläge zu: [1] Bild mit Ton - oder das Bild an der Wand Drittes internationales Kurzfilmfestival g-niale vom 2.-5. August 2001 Das Thema der g-niale bezieht sich auf das Gesamtfestival. Dabei soll es um eine bewußte filmische Auseinandersetzung mit den Einzelmedien und ihrer Durchmischung gehen, soll das Sehen und das Hören thematisiert werden - ob durch Betonung oder konsequentes Weglassen eines der beiden Elemente. (ausführliche Ausschreibungsunterlagen unter: http://www.garage-g.de/g-niale2001*.pdf) [2] Bild ohne Ton - oder der Ton im Hintergrund zwei- oder dreidimensionale Kunst im öffentlichen Raum [3] Ton ohne Bild - oder das Bild im Kopf Im Vordergrund wird hier die Auseinandersetzung mit neuen Konzepten der Klangerzeugung/Bearbeitung und deren Präsentation/Vermittlung/ Verbreitung stehen. Auf einem Exkurs in die Welt der Töne und Klänge sollen Konzerte, (Live)Hörspiele und -stücke, Klanginstallationen, Radio(art)- und Netzaudioprojekte vorgestellt werden. [4] Ton und Bild - oder das Bild im Raum Von Monomedien zu Multimedien. Medienbrüche, Interaktion und Kollaboration, Grenzüberschreitungen und Synthesen. Versuche zur Visualisierung von Klang bzw. der Vertonung von Bild. - ------------------------------------------------------------------- garage ist Plattform für Kunst und Kultur. Sie ist gelegen inmitten der Hafen- und Speicherstadt Stralsunds und versteht sich als zeitlich begrenzter Raum für die Förderung interdisziplinärer sowie einzelkünstlerischer Projekte mit den Schwerpunkten bildende Kunst, Musik und Film. Ideen, Vorschläge und Material bitte an: garage c/o Stabenow Goehrener Str. 13 10437 Berlin Germany +49 (0) 3831 441 20 15 info@garage-g.de http://www.garage-g.de ------------------------------ # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net