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Table of Contents:
Logos <M&M>concert broadcast, thursday may 8th, 20h00 CET
kristof lauwers <kristof.lauwers@logosfoundation.org>
Detroit intersections
Deb King <debkking@yahoo.com>
WTO in Sacramento + Ag Expo
Ryan Griffis <grifray@yahoo.com>
Press release
Dominique Fontaine <dfontaine@fondation-langlois.org>
Fw: Bergstueb'l, May 9: The Return of the Think Thing Vol V
Manuel Bonik <manuel@travellab.net>
tru
doron <doron@computerfinearts.com>
RECENT NEWS - MAY 2003
Dominique Fontaine <dfontaine@fondation-langlois.org>
INTER-FACING PERFORMANCE
Manon Braat <Manon.Braat@AMSU.edu>
fAf May-June 03: cyberTribe: 'Light One' by Jonathon Jones
linda carroli <lcarroli@pacific.net.au>
Research Bursaries
ITEM <item@fact.co.uk>
Call for entries - digital sparks 2003
"netzspannung.org " <redaktion@netzspannung.org>
------------------------------
Date: Wed, 07 May 2003 15:25:35 +0200
From: kristof lauwers <kristof.lauwers@logosfoundation.org>
Subject: Logos <M&M>concert broadcast, thursday may 8th, 20h00 CET
Logos <M&M> concert
tomorrow, Thursday may 8th at 20h00 CET
http://live.montevideo.nl:7676/logos
( for quicktime users: icy://204.181.65.29:8000/icy_0 )
- - "Quadrada" is a microwave radar installation which translates body
movement into music performed by musical robots made by Godfried-Willem Raes.
- - Moniek Darge and Kristof Lauwers present the next episode of their
collective composition "RobotGarden",. The electric violin engages in a
dialog with the complete robot orchestra, in which each automat behaves as
a fully fledged musician. This way RobotGarden becomes an interactive work
where the boundaries between composition and the development of musical
instruments and interfaces fade.
- - Eva Vandevoorde plays "Baklava", a new composition by Godfried-Willem
Raes for bass clarinet and the automaton orchestra.
____________________________________________________
LOGOS FOUNDATION
Center for Experimental Music Production
Postal adress: Kongostraat 35
Logos Tetrahedron concert hall: Bomastraat 26-28
9000 GENT BELGIUM
tel.:[32]-9-2238089 fax.:[32]-9-2250434
email: info@logosfoundation.org
VISIT LOGOS' LIVELY WEBSITE: http://logosfoundation.org
------------------------------
Date: Wed, 7 May 2003 08:06:30 -0700 (PDT)
From: Deb King <debkking@yahoo.com>
Subject: Detroit intersections
Intersections
detroit contemporary presents diverse investigations into the common
ground of memory and present, theory and phenomena... real and virtual
with this on-going project by members of Detroit's arts communities.
http://www.detroitcontemporary.com/intersect/index2.html
Lynn Crawford and Clinton Snider
Francis Grunow
Carla Harryman
Sherry Hendrick
Kai Kim and Mike Kelley
Bryan Koehn
Chris MacNamara
Melanie Manos
Dawn Nye
Frank Shifreen
Martin Schramm
Patrica Soderberg
Chris Tysh
Elizabeth Youngblood
Curated by digital worker Deb King and film artist Robert Andersen.
Interface conceived and developed by Deb King.
------------------------------
Date: Wed, 7 May 2003 09:46:47 -0700 (PDT)
From: Ryan Griffis <grifray@yahoo.com>
Subject: WTO in Sacramento + Ag Expo
Sacramento is an important destination on the World
Trade Organization's (WTO) pre-Cancun itinerary. The
United States Dept. of Agriculture (USDA), USAID, and
the US State Department are hosting a summit to which
the Ministers of Trade, Agriculture, and Environment
from 180 nations Have been invited. It will take place
in downtown Sacramento from June 23-25, 2003.
An "Expo On Agricultural Science and Technology" will
run concurrently to showcase transnational
agribusiness and biotechnology corporations and
promote an
industrialized, hunger inducing, agricultural model.
These events are intended to build up to the WTOs
September 2003 meetings in Cancun, Mexico. Agriculture
is the most contentious issue inside the WTO. Neither
the meeting nor the Expo are open to the general
public. "This is not a public event", say EXPO
organizers. A broad coalition of community
organizations from Sacramento and Northern California
are organizing a response to these events.
www.biodev.org/sacramento/
------------------------------
Date: Wed, 7 May 2003 17:11:38 -0400
From: Dominique Fontaine <dfontaine@fondation-langlois.org>
Subject: Press release
Pour la version française:
http://www.fondation-langlois.org/f/informations/nouvelles/index.html
[ Apologies for cross-posting / veuillez excuser les envois multiples ]
****************************************************************************
**Press Release**
THE DANIEL LANGLOIS FOUNDATION AND THE
GUGGENHEIM MUSEUM LAUNCH THE BOOK PERMANENCE THROUGH CHANGE: THE VARIABLE
MEDIA APPROACH
Montreal, May 7, 2003 - The Daniel Langlois Foundation for Art, Science, and
Technology and the Guggenheim Museum held a book launch at Ex-Centris today
for PERMANENCE THROUGH CHANGE: THE VARIABLE MEDIA APPROACH. This bilingual
publication was produced as part of a research partnership on variable media
and published under the supervision of Alain Depocas, Director of the
Foundation's Centre for Research and Documentation, Jon Ippolito, the
associate curator of media arts at the Guggenheim Museum, and Caitlin Jones,
a Foundation fellow working to preserve variable media at the Guggenheim.
The book contains the proceedings of a conference held at the Guggenheim in
New York in the spring of 2001 as well as texts by such authors as Bruce
Sterling, Jon Ippolito, John Handhardt, Steve Dietz and Nancy Spector. It
presents viewpoints, methods and case studies concerning the preservation of
artwork created using non-traditional material, tools and technologies.
Among the works explored are Nam June Paik's TV Garden, Meg Webster's Stick
Spiral, Ken Jacobs' Bitemporal Vision: The Sea, Felix Gonzalez-Torres'
Public Opinion, Grahame Weinbren and Roberta Friedman's The Erl King, and
Mark Napier's net.flag.
Those attending the book launch included Jean Gagnon and Alain Depocas for
the Daniel Langlois Foundation and Jon Ippolito and Caitlin Jones for the
Guggenheim. They presented the variable media concept for preserving artwork
created using non-traditional means and also spoke about the Variable Media
Network. Mr. Gagnon emphasized that one of the Foundation's key interests is
research into preserving our digital artistic and cultural heritage, in
other words, artworks commonly produced today via new technological means.
"That's why we wanted a hand in developing a variable media network," Mr.
Gagnon said. "The book marks the first milestone in this project."
A Web site, *www.variablemedia.net*, has been created to inform people
interested in the variable media concept. The site offers the book
Permanence Through Change: The Variable Media Approach in PDF format. Also
available are texts outlining the main aspects of the concept as well as
full transcripts and video excerpts from the 2001 conference. In addition,
video interviews with artists and answers to a questionnaire on variable
media will later be added.
As part of the same research, an experimental database is in the works and
will be available to members of the Variable Media Network. This database
will help preserve and share information taken from a questionnaire that
artists are invited to fill out. Starting this fall, a version of this
database will be offered on the variable media Web site.
*About the Daniel Langlois Foundation for Art, Science, and Technology*
The Daniel Langlois Foundation's purpose is to further artistic and
scientific knowledge by fostering the meeting of art and science in the
field of technologies. The Foundation aims to nurture a critical awareness
of technology's implications for human beings and their natural and cultural
environments and to promote the exploration of aesthetics suited to evolving
human environments. The Centre for Research and Documentation (CR+D) seeks
to document history, artworks and practices associated with electronic and
digital media arts and to make this information available to researchers in
an innovative manner through data communications.
- - 30 -
Sources
Alain Depocas, adepocas@fondation-langlois.org
Director, Centre for Research and Documentation, Daniel Langlois Foundation
(514) 987-7177
www.fondation-langlois.org
Information
Marie&June Inc.
(514) 270-5005
Marie@mariejune.com
****************************************************************************
We've sent you this press release to keep you abreast of activities at the
Daniel Langlois Foundation. If you wish to be taken off our mailing list,
simply reply to this message with REMOVE in the subject line. Thank you.
****************************************************************************
------------------------------
Date: Thu, 08 May 2003 00:37:05 +0200
From: Manuel Bonik <manuel@travellab.net>
Subject: Fw: Bergstueb'l, May 9: The Return of the Think Thing Vol V
Forwarded by Manuel Bonik <manuel@travellab.net>
- ----------------------- Original Message -----------------------
From: Manuel Bonik <manuel@travellab.net>
To: t.ballevart@travellab.net
Date: Wed, 07 May 2003 15:16:05 +0200
Subject: Bergstueb'l, May 9: The Return of the Think Thing Vol V
- ----
The Return of the Think Thing Vol V
featuring
Manuel Bonik (D): Turntables and subliminal sounds
Chris Chroma (D): Feedback trombone and musical toys
S.D.C. Marquardt (USA): Guitar and electronics
Mic Mikina (AT): Cross mix concepts and con-textual overdubs
Dimitris Tzamouranis (GR): Quick camera edits
May 9, 2003, 9 pm
Bergstüb'l
Veteranenstraße 25
Berlin Mitte
U Rosenthaler Platz, S Nordbahnhof
.the return of the think thing. is run by a performing
network of artists from different fields, joining for a
returning sound and vision act. Live d/vj-ing, -streaming,
real and virtual instruments, analog and digital sources
all combine to a gig on demand, featuring a discrete
rehearsal with previously developed material from the think
thing database.
.the return of the think thing.
- - joins participants from a broad spectrum of various
artistic and discourse fields.
- - engages in music, literature, performance and electronic
activities in a complex set of structures and layers for
public address.
- - has a very simple but basic conceptual main-outline for
an open set that gives space to and access to irregularly
joining artists.
- - is reworked on the occasional appearance and compiled on
the fly to an interactive piece of time and space set.
- - is residing in a complex database for instant upload on
location.
- - provides the participants very powerful instruments with
large sound possibilities, e.g. turntables. It thus
gives the audience the strange feeling that anything
could happen.
- - performances recycle material of previous activities,
thus classifying the return as a virtual domain, that
started as a free improvisation in the first place.
- - material : audio video text images samples noise art cut
copy paste algorithms electronic-ware
- - audiosamples at http://travellab.net/thinkthing2.mp3
and http://travellab.net/thinkthing1.mp3
- - dates of .the return of the think thing.
at http://www.travellab.net/tl_timemap.html
travellab associates 2003
- --
Manuel Bonik <manuel@travellab.net>
- --------------------- Original Message Ends --------------------
------------------------------
Date: Thu, 08 May 2003 14:04:34 -0400
From: doron <doron@computerfinearts.com>
Subject: tru
truelove = wirefire
http://www.computerfinearts.com/
link on bottom right (^_^)
announcement
- ---------------------------
apologies for cross-posting
------------------------------
Date: Thu, 8 May 2003 10:39:05 -0400
From: Dominique Fontaine <dfontaine@fondation-langlois.org>
Subject: RECENT NEWS - MAY 2003
Pour la version française:
<http://www.fondation-langlois.org/f/nouvelles/nouv.html>
[ Apologies for cross-posting / veuillez excuser les envois multiples ]
**************************
RECENT NEWS - MAY 2003
<http://www.fondation-langlois.org/e/nouvelles/index.html>
Summary:
Permanence Through Change: The Variable Media Approach, a new book from the
Daniel Langlois Foundation (Montreal) and the Guggenheim Museum (New York)
Finding Aids for the Steina and Woody Vasulka Fonds
A June 30 Deadline for the Strategic Grants Program for Organizations
The CR+D's Current Acquisitions: Selection of the Month
Honours for anarchive 2: Digital Snow
Permanence Through Change: The Variable Media Approach, a new book from the
Daniel Langlois Foundation (Montreal) and the Guggenheim Museum (New York)
As part of a research partnership on variable media, the Daniel Langlois
Foundation and the Guggenheim Museum have published together a new book in
English and French. Permanence Through Change: The Variable Media Approach
was published under the supervision of Alain Depocas, the Director of the
Foundation's Centre for Research and Documentation, Jon Ippolito, the
associate curator of media arts at the Guggenheim Museum, and Caitlin Jones,
a Foundation fellow working in variable media preservation at the
Guggenheim. The book contains the proceedings of a conference held at the
Guggenheim in New York in the winter of 2001 as well as texts by such
authors as Bruce Sterling, Jon Ippolito, John Handhardt, Steve Dietz and
Nancy Spector. It presents viewpoints, methods and case studies concerning
the preservation of artwork created using non-traditional material, tools
and technologies. Among the works explored are Nam June Paik's TV Garden,
Meg Webster's Stick Spiral, Ken Jacobs' Bitemporal Vision: The Sea, Felix
Gonzalez-Torres' Public Opinion, Grahame Weinbren and Roberta Friedman's The
Erl King, and Mark Napier's net.flag.
To read the press release:
<http://www.fondation-langlois.org/e/informations/nouvelles/index.html>
To find out more about the Variable Media Network project:
<http://www.fondation-langlois.org/e/projets/1370-2-2002/index.html>
Finding Aids for the Steina and Woody Vasulka Fonds
The Foundation has developed a series of on-line finding aids including a
detailed description of the Steina and Woody Vasulka Fonds, descriptions of
each series within the fonds, and complete lists of the collection's
contents in the form of bibliographic notes. Other finding aids developed
from the indexing done in the CR+D database complement the fonds'
description. These aids help draw up lists of bibliographic notes on solo
shows by Steina and Woody or group events they took part in (exhibitions,
conferences, festivals) as well as lists related to works (videos and
installations) created since 1970 and to instruments and softwares. These
finding aids complement an already existing section, Steina and Woody
Vasulka: Instrumental Video, which features a biographical timeline and
detailed descriptions of a selection of works by the two artists.
To access the finding aids for the Steina and Woody Vasulka Fonds:
<http://www.fondation-langlois.org/e/CRD/vasulka/index.html>
To link to Steina et Woody Vasulka: Instrumental Video:
<http://www.fondation-langlois.org/e/collection/vasulka/archives/index.html>
A June 30 Deadline for the Strategic Grants Program for Organizations
Organizations wishing to submit a proposal within the Foundation's Strategic
Grants Program for Organizations must do so by June 30, 2003. This program's
aim is to foster the development of organizations so they can better fulfill
their mandate and goals. The proposals should demonstrate the strategic
nature of the developments planned.
For full details on the program, definitions, criteria and evaluation
procedure, consult our guide:
<http://www.fondation-langlois.org/e/programmes/index_org.html>
The CR+D's Current Acquisitions: Selection of the Month
As we do every month, we're publishing a bibliography of the latest current
acquisitions made by the Foundation's Centre for Research and Documentation
:
<http://www.fondation-langlois.org/e/CRD/acquisitions/index.html>
Our monthly selection is a catalogue published for Lanterna Magika: New
Technologies in Czech Art of the 20th Century, Espace Electra, Paris,
France, October 26, 2002 to January 19, 2003, organized by Camille Morineau
and Vit Havránek as part of the event Bohemia Magica, une saison tchèque en
France :
<http://www.fondation-langlois.org/e/CRD/acquisitions/selection.html>
Honours for anarchive 2: Digital Snow
Launched last October in Montreal, this DVD-ROM showcasing artist Michael
Snow's body of work has garnered several prizes. Among them are three
Graphika awards given out by the Société des designers graphiques du Québec
(overall grand prize for 2003, best DVD-ROM and best book design). The disc
also earned honourable mentions at the Creative Review Annual 2002 in
London, at the How Interactive Annual in Cincinnati, and from the Art
Libraries Society of North America (ARLIS/NA). ARLIS's Canadian chapter
cited the disc as an exceptional search and reference tool in the field of
Canadian art. In addition, the work is included in the major exhibition The
Future of Cinema organized by the Zentrum für Kunst und Medien Technologie
(ZKM) in Karlsruhe, Germany and will travel with the exhibit to the Kiasma
Museum of Contemporary Art (Helsinki, Finland), the InterCommunication
Center (Tokyo, Japan), and the Australian Centre for the Moving Image
(Melbourne, Australia).
************************
*About the Daniel Langlois Foundation for Art, Science, and Technology*
The Daniel Langlois Foundation's purpose is to further artistic and
scientific knowledge by fostering the meeting of art and science in the
field of technologies. The Foundation aims to nurture a critical awareness
of technology's implications for human beings and their natural and cultural
environments and to promote the exploration of aesthetics suited to evolving
human environments. The Centre for Research and Documentation (CR+D) seeks
to document history, artworks and practices associated with electronic and
digital media arts and to make this information available to researchers in
an innovative manner through data communications.
*
------------------------------
Date: Fri, 9 May 2003 11:25:14 +0200
From: Manon Braat <Manon.Braat@AMSU.edu>
Subject: INTER-FACING PERFORMANCE
Workshop 'Inter-Facing Performance'
25 - 30 August 2003
Netherlands Media Art Institute in collaboration with
Amsterdam- Maastricht Summer University
Contemporary art practice is constantly expanding the use of technology. The
workshop examines the historical and technological developments in
performance arts. The course will be a creative and practical collaboration
between performing and media artists, and will be contextualised by critical
discussions on contemporary practice; wireless networks and performance,
real-time relationships between body and site, maps and architectures,
physicality/usability/haptics - interface.
The workshop will be lead by Kelli Dipple, an internationally known artist
that specialises in performance and the use of new technologies. The
workshop will be placed in a historical and critical perspective through a
number of guest speakers.
The goal of the workshop is to examine the possibilities for site specific
performance, while making use of wireless and portable communication tools.
The participants will be divided into three groups, collaborating on small
projects throughout the week. Collectively the aim is to create effective
relationships towards the building of a non linear experience within and
around the Montevideo architecture.
Australian artist and project manager Kelli Dipple, has worked for the past
7 years at the intersection of digital technology and performance practice.
Having trained traditionally in theatre directing and choreography at the
Queensland University of Technology in Brisbane Australia, Kelli has since
developed a detailed knowledge of video conferencing, streaming media, web
and digital video technologies. Specializing in international co-production,
interdisciplinary research, collaborative practice, performance making and
remote/multiple site events. Her practice draws upon a collaborative and
interdisciplinary methodology and maintains an interest in the integration
of visual, interactive, communication and network technologies into live
events for live audiences.
www.montevideo.nl/mapp <http://www.montevideo.nl/mapp>
www.gravelrash.net <http://www.gravelrash.net>
www.navigatinggravity.net <http://www.navigatinggravity.net>
Participant profile The workshop is designed for performing arts
practitioners, video artists, media artists and (postgraduate)students who
wish to expand and complement their own practice via hands-on experience in
collaborative work.
Language English
Fee 450 euro (including day and evening programme at Netherlands Media Art
Institute, admission to cultural evening programme of AMSU and daily lunch &
refreshments.)
Capacity 20 participants
Application Due to limited capacity of the course, there will be a
selectionprocedure. Candidates should submit their application with a
detailed curriculum vitae and a letter of motivation before June 13, 2003
to:
The Amsterdam-Maastricht Summer University,
P.O. Box 53066, 1007 RB Amsterdam, The Netherlands, or fax: + 31 (0) 20
6249368.
After this date a selection procedure will start and a letter of acceptance
or rejection will be forwarded.
Scholarships Artists based in Holland can individually apply for a
scholarship with 'Scholingsfonds voor kunst en cultuur'. Applications should
be made 6 to 8 weeks in advance!
<http://www.scholingsfonds-kc.nl>
Artists from certain countries in Eastern and Middel Europe can apply for a
scholarship too. They need to fill in the applicationform and sent it to the
AMSU together with a CV and a letter of motivation as soon as possible.
After the selectionprocedure a letter of acceptance or rejection will be
forwarded.
For updates check our website:
<http://www.montevideo.nl> or <http://www.amsu.edu>
For more information contact Manon Braat, manon@amsu.edu
------------------------------
Date: Fri, 09 May 2003 19:40:05 +1000
From: linda carroli <lcarroli@pacific.net.au>
Subject: fAf May-June 03: cyberTribe: 'Light One' by Jonathon Jones
fAf May-June 03
cyberTribe: 'Light One' by Jonathon Jones
fineArt forum = art + technology netnews
http://www.fineartforum.org
http://www.cdes.qut.edu.au/fineart_online
CYBERTRIBE
cyberTribe presents Light One, a series of works by Sydney-based artist,
Jonathon Jones. He has undertaken research trips and cultural exchanges to
Hawai'i and Canada and his work has been exhibited in Australia and
overseas including as part of the research archive of the 2002 Adelaide
Biennial, conVerge. cyberTribe is curated by Jenny Fraser.
http://www.fineartforum.org/Gallery/cybertribe/index.htm
fAf_15: 15th ANNIVERSARY CDROM
fAf_15, fAf's commemorative 15th anniversary cdrom is still available and
free. On fAf_15, we present the magazine's entire archive as well as
specially commissioned and collated new material. fAf_15 is an invaluable
resource for researchers, artists, writers and activists in the new media,
science and technology fields. To obtain a copy, email fAf at
l2.carroli@qut.edu.au with your name and postal address.
http://www.fineartforum.org/aboutus/highlights_index.html
THIS MONTH IN fAf
:: Alt-X Tenth Anniversary: Mark Amerika, founder and publisher of Alt-X,
speaks with Linda Carroli on Alt-X's 10th anniversary.
:: Power, Politics and the Internet: Gary Foley explores the future
technological possibilities of empowerment or dis-empowerment from an
Indigenous perspective.
:: Peer-to-Peer: the collective, collaborative and liberated memory of
sound: Alessandro Ludovico explores various aspects of file-sharing in
relation to sound.
:: State of Theatre Scene in Singapore: Agnes Teh investigates the
challenges and obstacles faced by the Singaporean theatre scene today.
:: Interdisciplinary Practice/Viewer Experience: Judy Malloy writes about
the various facets of Interactive art.
:: It's Cool to be Real!: Paul Brown reviews Charlie Gere's Digital Culture.
:: Online Animation: YJ Tan asks how has the Internet helped in the
distribution of animation?.
:: The Language of War Symposium: Dave Brine reports on media responses to
reportage on the Iraq War.
:: Drawing Shortcuts: Heidi P. Jermyn reviews Jim Leggitt's guide for
developing drawing skills using today's technology.
:: BORDERPANIC: Tracey Benson interviews BORDERPANIC curators, Deborah
Kelly and Zina Kaye
:: BORDERPANIC Reader: Linda Carroli reviews the BORDERPANIC Reader.
TEXT online at:
http://www.fineartforum.org/Backissues/Vol_17/faf_v17_n05/reviews/reviews_index.html
PLUS News, Events, Opportunities and the usual online miscellany.
. . . . .
SUBSCRIBE
To subscribe to fineArt forum:
Send an email message to: mailserv@qut.edu.au with the following text in
the message: subscribe fineartforum
To unsubscribe - the first line of your email should read: unsubscribe
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GOT NEWS??
Send it to editor@fineartforum.org
MORE INFO
Nisar Keshvani: editor@fineartforum.org
Linda Carroli: l2.carroli@qut.edu.au
MISSION
fineArt forum is a free, not-for-profit news and information service
exploring the relationship between the arts, sciences and technology. fAf
aims to inform new media arts and technology communities worldwide of the
latest events, developments and opportunities.
fineArt forum is assisted by the Commonwealth Government through the
Australia Council, its arts funding and advisory body
http://www.ozco.gov.au. Additional support is provided by QUT Communication
Design Department, School of Film and Media Studies - Ngee Ann Polytechnic
Singapore and Mississippi State University.
fAf is produced on behalf of the Art, Science and Technology Network (ASTN)
http://www.astn.net.
fAf and Leonardo Electronic Almanac (LEA) are strategic partners. LEA is an
online peer-reviewed journal published at MIT Press for the Leonardo
Network http://www.leonardo.info.
------------------------------
Date: Wed, 7 May 2003 15:17:18 +0100
From: ITEM <item@fact.co.uk>
Subject: Research Bursaries
Content-Type: text/plain; charset="us-ascii" ; format="flowed"
# ITEM
Research Bursaries
#
The Box, FACT, 88 Wood Street, Liverpool, UK
Tuesday 1st July, 1.30pm - 5.30pm
#
On Tuesday 1st July FACT will be launching ITEM, a pilot research and
development programme aimed at exploring and developing the potential
of new media tools for exhibition and exposition.
#
ITEM will be providing 6 - 8 bursaries to artists and technologists
to work together on joint projects for completion by September 2004.
#
The launch event will feature presentations by potential research
partners, including BTExact who will be demonstrating some current
research projects. The afternoon will also feature a presentation on
issues concerning Intellectual Property Rights and will offer a
chance to find out more about the about the scheme and arts research
in general.
#
The launch event is free, but places are limited, so if you would
like to attend please send your name, address and contact number to
<mailto:item@fact.co.uk>item@fact.co.uk.
(As numbers are limited we may not be able to offer everyone a place,
and we will contact you to confirm attendance).
#
Futher details, including scheme guidelines, can be found at
http://www.fact.co.uk/item
#
Deadline for submissions to the scheme : Friday 11th July
#
ITEM is supported by NESTA and Arts Council England
NESTA is the National Endowment for Science Technology and the Arts
------------------------------
Date: Thu, 8 May 2003 15:26:32 +0200
From: "netzspannung.org " <redaktion@netzspannung.org>
Subject: Call for entries - digital sparks 2003
Call for entries - digital sparks 2003
Wettbewerb studentischer Medienprojekte
Sehr geehrte Damen und Herren,
der Wettbewerb >digital sparks< läuft! Die Einreichfrist dauert noch bis
31. Mai 2003!
Studierende aus den Bereichen Medienkunst, Mediengestaltung, Informatik
und Medienkommunikation haben noch bis Ende des Monats die Möglichkeit,
ihre Projekte online auf der Internetplattform netzspannung.org*
einzureichen und somit am Wettbewerb teilzunehmen.
Ziel des Wettbewerbs >digital sparks< ist es, den Nachwuchs im Bereich
Neue Medien zu fördern und einen Einblick in Forschung und Lehre an
deutschsprachigen Hochschulen zu geben.
Die drei besten Arbeiten werden mit Preisen von je 2.500 Euro honoriert
und auf der
>Ars Electronica< in Linz (Österreich) präsentiert.
Außerdem bekommen alle Studenten, die für die Endjury nominiert werden,
einen kostenlosen Zwei- Tages-Pass vom >Ars Electronica< Festival-Team
gestellt.
In besonderen Fällen vergibt das MARS Exploratory Media Lab
Produktionsstipendien zur Weiterentwicklung herausragender Projekte.
http://netzspannung.org/digital-sparks/awards/
Alle Beiträge werden auf der Internetplattform http://netzspannung.org/
veröffentlicht und - wie bereits die Projekte der letzten beiden Jahre -
als virtuelle Ausstellung präsentiert.
http://netzspannung.org/digital-sparks/flashmap
Die Teilnehmer der digital sparks Jury 2003 sind:
» Rosanne Altstatt, Edith Ruß Haus für Medienkunst, Oldenburg
» Alfred Rotert, European Media Art Festval (EMAF), Osnabrück
» Andreas Broeckmann, Transmediale Festival, Berlin
» Gerfried Stocker, Ars Electronica, Linz, Österreich
» Hermann Lossau, NRW Medien GmbH, Düsseldorf
» Isabel Podeschwa, Kulturkreis der deutschen Wirtschaft im BDI
e.V., Berlin
Für die Vorjury konnten folgende Experten gewonnen werden:
Susanne Ackers, Institut für Bildmedien, Zentrum für Kunst und
Medientechnologie, Karlsruhe
Alex Adriaansens, Medienkunst/Vermittlung, V2_Organisation, Rotterdam,
(NL)
Prof. Kai Beiderwellen, Mediengestaltung, FH Mannheim
Prof. Dr. Wolfgang Coy, Medieninformatik, Humboldt-Universität, Berlin
Ursula Damm, Kunsthochschule für Medien, Köln
Prof. Dr. Ursula Frohne, Kunstgeschichte, International University
Bremen
Prof. Klaus Gasteier, Interface - und Interaktionsdesign, FH Aachen
Prof. Bernd Hanisch, Design, Burg Giebichenstein, Halle
Prof. Michael Herczeg, Institut für Multimediale und Interaktive
Systeme, Universität zu Lübeck
Prof. Tjark Ihmels, Institut für Mediengestaltung, FH Mainz
Prof. Ludwig John, Medienkunst, FH Augsburg
Prof. Stefan Kim, Medieninformatik, FH Brandenburg
Prof. Franz Kluge, Medinegestaltung, FH Trier
Agnieszka Kubicka, WRO-center of media art, Polen
Prof. Jörg Lensing, Mediengestaltung/Akustische Kunst, FH Dortmund
Prof. Helmut Mark, Medienkunst, Hochschule für Grafik und Buchkunst
Leipzig
Prof. Karsten Morisse, Computer Science, Universität Osnabrück
Prof. Frieder Nake, Informatik, Universität Bremen
Dr. Danièle Perrier, Medienkunst/Vermittlung, Künstlerhaus Schloß
Balmoral, Bad Ems
Charlotte Pöchhacker, Medienkunst/Vermittlung, Art Image, Graz
Elke Reinhuber, Institut für Medienforschung, Hochschule für Bildende
Künste Braunschweig
Prof. Michael Rodemer, Medienkunst, University of Michigan, Ann Arbor
Margit Rosen, Medienkunst/Vermittlung Lothringer 13, München
Prof. Dr. Sigrid Schade, Medien- und Kulturtheorie, Hochschule für
Gestaltung und Kunst, Zürich
Prof. Giaco Schiesser, Medien- und Kulturtheorie, Hochschule für
Gestaltung und Kunst, Zürich
Dr. Holger Schulze, Medienkunst und Kulturwissenschaft, Universität der
Künste, Berlin
Prof. Dr. Anette Seelinger, Ästhetik, Kommunikation und Neue Medien, FH
Frankfurt
Prof. Claudia Söller-Eckert, Mediengestaltung, FH Darmstadt
Prof. Dr. Christoph Tholen, Medienwissenschaften, Universität Basel
Prof. Eku Wand, Institut für Medienforschung, Hochschule für Bildende
Künste Braunschweig
Ulrich Wegenast, Neue Medien und Public Relations, wand5 e.V., Stuttgart
Prof. Dr. Gerd Zimmermann, Entwerfen und Architekturtheorie,
Bauhaus-Universität Weimar
Siehe auch: http://netzspannung.org/digital-sparks/03/jury/
Falls Sie weitere Fragen zu >digital sparks< haben, wenden Sie sich
bitte an
Diane Müller: digital-sparks@netzspannung.org
Mit freundlichen Grüßen
Monika Fleischmann
Leiterin der Forschungsabteilung MARS
Media Arts & Research Studies // netzspannung.org *
Fraunhofer Institut für Medienkommunikation
D-53754 Sankt Augustin
* netzspannung.org ist ein dynamisches Wissensportal für digitale
Kultur, das vom
Bundesministerium für Bildung und Forschung (BMBF) gefördert und vom
MARS Exploratory Media Lab am Fraunhofer Institut für
Medienkommunikation unter der Leitung von Monika Fleischmann und
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zwischen Medienkunst und -gestaltung, Wissenschaft und Technologie
kommuniziert die Plattform die vielfältigen Aktivitäten der Medienkultur
und baut einen aktuellen Informationspool auf.
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