Morlock Elloi on Sun, 6 Mar 2005 01:48:40 +0100 (CET) |
[Date Prev] [Date Next] [Thread Prev] [Thread Next] [Date Index] [Thread Index]
Re: <nettime> Schijndel & Smiers: IMAGINING A WORLD WITHOUT COPYRIGHT (Modified by Geert Lovink) |
The main problem here is the assumption that copyright has much to do with author, performer or artist. It is nominally attached to one, but its purpose is to enable cashing in on the work, and there is a large number of people and entities involved in that cashing in. The initial author gets just a minority stake. Without copyright protection all these entities will not get involved (same as VC would not touch a technology startup without patents) and author (or startup) would remain well known among friends and family. If someone thinks that investing money in selection, ad nauseam promotion and bandwidth to the eyeballs is parasitic phenomenon - why don't authors do without it? Great works or even average works will find their way to the public. Yeah, right. Even giving them away for free will not make difference. Removing copyright is trivial - any author can do it today. In any legal framework. Just give it away. It's legal. Any author can also limit copyright to any desired level. See open/free software stuff. Why does anti-copyright industry treat authors as infantile retards? All actual cases are based on publishers enforcing copyrights on works by authors who have CHOSEN to use the fullest copyright protection that they can get. Have they been tortured to sign those forms? No. They wanted fame and money. I am sure many tried giving it away or without copyright protection (in which case no publisher would touch the work.) Didn't work. Friends and family already like it. So what does it mean that there are no widely known current works given away for free or no copyright (same thing) ? I am sure that not *all* quality authors go to big labels. It means that what masses perceive as quality is mostly manufactured by cash investments. So now, anti-copyright folks would like to get both brainwashed into liking something AND to get it for free. That's not how it works. You have to brainwashing yourself for that. But let's do a small leap of imagination ... say in few years androids become available that can perfectly emulate humans. It's just a technology problem, issues are the same. How would Lessig feel if his clandestine copy starts to give paid lectures (or even picks his Stanford paycheck)? Lessig's investment is in his credibility, and today only the technology barrier prevents him from being copied - as much as there were no copyright problems in early book or phonograph days. Too hard to copy. It's easy to be freedom fighter when they come for others, whose art is easy to copy. But soon they will come for you. end (of original message) Y-a*h*o-o (yes, they scan for this) spam follows: __________________________________ Celebrate Yahoo!'s 10th Birthday! Yahoo! Netrospective: 100 Moments of the Web http://birthday.yahoo.com/netrospective/ # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net