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[digested @ nettime] Table of Contents: Mechanical Hunting For The Grotesque: An interview with Kenji Siratori "kenjisiratori.com" <kenji@kenjisiratori.com> Kenji Siratori: Quotes "kenjisiratori.com" <kenji@kenjisiratori.com> The Global Genome by Eugene Thacker "kenjisiratori.com" <kenji@kenjisiratori.com> ------------------------------ Date: Thu, 16 Feb 2006 14:49:06 +0900 From: "kenjisiratori.com" <kenji@kenjisiratori.com> Subject: Mechanical Hunting For The Grotesque: An interview with Kenji Siratori Mechanical Hunting For The Grotesque An interview with Kenji Siratori Azimute: Which city in Japan do you live in? How does Japanese culture imbrue your writing? Why do you write in English and not Japanese? Deleuze and Guattari have developed a concept of minor literature which talks of writers, who write in a major language living within the context of a minor language, the strident example is Kafka as a Czech, writing in German. The essence is to write like a foreigner, to disrupt the major language with new grammatical and stylistic variations, vernacular slang and displaced linguistic idioms. How do you think this relates to what you are doing? Kenji Siratori: I live in Kashima recently. The Japanese chaos makes my writing the gene-dub to the composition of Antonin Artaud and William Burroughs. Because my writing is the primitive remix of nerve system. I use the primal noir language by the digital-perversion. It is the queer voice that was turned Kafka's hypertext and the cruel emulator that turned podcast of Artaud's body. I set up the genomics strategy circuit that chemical=anthropoid escaped to the language system. For example, Marilyn Manson's industrial BDSM play, guerrilla desire and humanworm installation. I practice grammatical survival to WWW. Azimute: From first glance your work draws comparisons with the sexual scatologies of Pierre Guyotat, the deranged tirades of Antonin Artaud and the perverse texts of Jake Chapman. "Meatphysics" by Chapman has been described as "Windows source code as hacked by Gilles Deleuze,"1 which seems absolutely appropriate to describing the high speed linguistic wrap-arounds, erratic discontinuities and sporadic hypertext you employ. Do you share sensibilities with these writers? Kenji Siratori: I hyperlink to the writers of speed. It brings about the generation change of acidhuman. Like Chuck Palahniuk's transgressive fiction. And the speed of my writing is absorbed by an industrial BDSM play in this abolition world. Guyotat's 21st century noise dashes on J.G. Thirlwell's corpse feti streaming circuit. My writing speed rapes the industrial mass of flesh-module of a drug fetus. Generate Kafka's biocapturism guerrilla apparatus! Azimute: What are your current thoughts on the state of the publishing industry? In the information overload age, why have you chosen to effectively self-publish through iUniverse? When will Creation Books be releasing "Acidhuman Project" and what can we expect from this new book? Do you think that pdfs will become the mp3s of books? Kenji Siratori: I deconstruct the objective corpse feti=streaming circuit of a chemical=anthropoid. The icon of self-publish is in creative demand. The larvas of the digital contents must be aspirated acid like Alt-X. "Acidhuman Project" is the manual regarding the guerrilla=sex of a drug fetus. To send back out the modem=heart of 21st century Kafka era respiration-byte. And to ill-treat on the transgressive abolition world-codemaniacs that chemical=anthropoid was installed. R.U. Sirius manufactures the new podcast-mind of a chemical=anthropoid recently. It is the bioware of acidhuman. I manage the transgressive genomics strategy circuit of a chemical=anthropoid as the fictional bioware. Azimute: Your writing appears to take the Burroughs and Gysin cut-up technique onto new levels. Do you still draw on the original form of the cut-up as described by William Burroughs? Do you use a computer program that does cut-ups to Xenakis polynomials? What about nano-cut-ups? What is your process of writing? What techniques are you using? What are you trying to achieve? Kenji Siratori: The primal word of a chemical=anthropoid is in Francis Bacon 's picture. As if the mass of flesh-module of the hyperreal HIV=scanner form of the drug fetus that was cut the suicide-code of the abolition world is manufactured. The dogs of tera exterminated William Burroughs's objective brain universe. Plug-in Antonin Artaud's body encoder to this abolition world! Genomics strategy circuit of a chemical=anthropoid is open to Artaud's podcast-mind and Burroughs's guerrilla sex generation. Azimute: There are innumerable musicians who have taken to writing, but few examples of writers who have taken to music. Your Bizarre CD is injected with influences from Merzbow, Foetus, Meat Beat Manifesto, Frontline Assembly... Do you think sampling technology and programmed music is closer to your writing style? What techniques have you brought from writing to music and vise-verso? What kinds of music are you listening to? Kenji Siratori: I sample the transgressive genomics strategy circuit of a chemical=anthropoid. Industrial quickening of the abolition world is notified in my writing. Life=noise of a drug fetus corrodes the brain universe that tera of dogs were ill-treated on biocapturism. I praise Foetus's work. Foetus transplants the drug fetus army to a nerve cell. I am J.G. Thirlwell's literary apprentice. My ear scratches William Burroughs 's psychedelic placenta. As an exception, Marilyn Manson, the reptilian=HUB_modem of a drug fetus=cardiac covered that mass of flesh-module abolition world in hunting for the grotesque WEB=jointed and the living body junk feeling replicant who turned on the ill-treatment of a chemical=anthropoid guerrilla. Azimute: Similar to Burroughs, you have also become recognized as an artist, what relationship exists between your visual artwork and your writing? What artists or genres prove significantly fertile? Do you work purely in the realm of digital art? Kenji Siratori: My writing invades into industrial BDSM play of the abolition world. I output Antonin Artaud's nerve struggle to the 21st century corpse feti=streaming circuit of a drug fetus. Digital-Artaud and Digital-Bataille parasitize into the hybrid corpse mechanism cultural context of a chemical=anthropoid. I am interested in Douglas Rushkoff recently. Douglas Rushkoff HIV=scans the gene-war of a chemical=anthropoid, the digital=chimpanzee's deconstruction declaration. The genomics strategy circuit of Rushkoff's hyperreal HIV=scanner form amputates the neuromatic suicide-code of the abolition world. The dogs of tera will send back out the mass of flesh-module of digital art era respiration-byte. Azimute: The postmodern age has declared the death of the Author, "writing is the destruction of every voice, of every point of origin... the negative where all identity is lost"2 (Barthes). Just as Stelarc proclaims the obsolescence of the body, we are simultaneously faced with the obsolescence of the text. Your texts appear to have mutated into pure data streams, as something to be downloaded or plugged into. The conventional linear-narrative archi-text, what Reza Negarestani characterized as an "egocentric disease,"3 is here relentlessly shredded and stripped of its authorial subject, what remains is an acephalous corp(u)s. Is there a point where a text becomes just complete chaos, utterly non-sensical? Kenji Siratori: The text is attached to invade fate. A word ill-treats on the hyperreal HIV=scanner form body encoder of a chemical=anthropoid. Chuck Palahniuk's text cries out the throes of death. Exterminate the philosophical corpse feti=streaming circuit that tera of dogs were excreted! Mashup Antonin Artaud's living body junk modem=cardiac in the textual brain universe of a chemical=anthropoid! The DNA=channel of the abolition world is broadcast to a hybrid corpse mechanism. To digital=vamp the scatologic corpse feti=streaming circuits of the postmodern age, from Stelarc's obliqueness. Azimute: Deleuze has described how the new Control Societies are taking over from the old disciplinary societies considered by Foucault. Deleuze remarks that the locus of revolt in Control Societies "may be to create vacuoles of non-communication, circuit breakers, so we can elude control"4 The traces of cross fire in an information war might unfold with the hijacking of the sound and image barrage, hacking the circuity to revert the control systems upon themselves or the anti-muzak tactics of the "Decoder" film. Do you think that your texts are playing a part in this new subversion? Kenji Siratori: To debug the abolition world is achieved the super-genomewarable violence of a chemical=anthropoid abnormal living body-by controlling. My guerrilla writing uploads the hyperreal HIV=scanner form genomics strategy circuit of a chemical=anthropoid to the corpse feti=streaming pituitary of the abolition world through Digital-Artaud. Deleuze-machine continues to amputate the chemical=anthropoid's suicide-code that inheriteded. Notes: 1 http://quimbys.com/product_info.php/products_id/6158 2 Roland Barthes "The Death of the Author" Image, Music Text, New York, Hill And Wang, 1988, p. 142. http://faculty.smu.edu/dfoster/theory/Barthes.htm 3 Reza Negarestani "Technodrome" http://www.disinfo.com/site/displayarticle13642.html 4 Gilles Deleuze "Control and Becoming" Negotiations 1972-1990, New York, Columbia University Press ,1995 p.175. Azimute http://www.azimute.org/ ------------------------------ Date: Tue, 14 Feb 2006 11:53:20 +0900 From: "kenjisiratori.com" <kenji@kenjisiratori.com> Subject: Kenji Siratori: Quotes Kenji Siratori: Quotes "Russ Kick updates the hyperreal HIV=scanner form genomics strategy circuit of a chemical=anthropoid in The Disinformation Book of Lists and generates 21st century reptilian=HUB to the hunting for the grotesque WEB=joint terminal of this abolition world." http://www.cafepress.com/disinfo.10890781 "The genomics strategy circuit of Douglas Rushkoff's hyperreal HIV=scanner form amputates the neuromatic suicide-code of the abolition world. Coercion relaxes the human body pill depression of the feeling replicant that turned a chemical=anthropoid." http://www.rushkoff.com/ "We Know What You Want send back out the ultra=machinary genomics strategy circuit of a chemical=anthropoid to guerrillatic era respiration-byte through Douglas Rushkoff's human body pill installer." http://www.cafepress.com/disinfo.18361877 "Cory Doctorow practiced the impregnation of the corpse mechanism of a drug fetus as the desire algorithm of the abolition world with the mass of flesh-module that tera of dogs were debugged." http://www.craphound.com/ "Get Back in the Box is the space engineering brain stool for a digital-chimpanzee. Douglas Rushkoff, the zero=entropy of the abolition world to the creature system of Get Back in the Box living body browser." http://www.rushkoff.com/ "EXIT STRATEGY, the body encoder that the technojunkie was debugged to the human body pill paradise apparatus of this abolition world plug-in, to send back out cruel emulator of hyperreal HIV=scanner form era respiration-byte." http://www.rushkoff.com/ "Russ Kick processes the guerrilla sex generation of a drug fetus data=mutant and manufactures the human body pill paradise apparatus of the abolition world by Everything You Know About Sex Is Wrong." http://www.cafepress.com/disinfo.33236690 "Turn Off Your Mind is the super-genomewarable era respiration-byte sending program of acidhuman regarding the ultra=machinary tragedy-ROM creature system of this abolition world." http://www.cafepress.com/disinfo.7895038 "Pop! Goes The Witch is the industrial BDSM apparatus of a drug fetus in the abolition world. Fiona Horne accelerates the placenta world of acidhuman virus." http://www.cafepress.com/disinfo.11367835 "Hunting for the grotesque WEB brain universe of a chemical=anthropoid to biocapturism=Abuse Your Illusions joints. Aspirate that this abolition world is zero acid. The body encoder of the trash sense murder-gimmick. FUCKNAMLOAD Abuse Your Illusions!" http://www.cafepress.com/disinfo.7895035 "Anarchy For The Masses swims the living body junk brain universe of a chemical=anthropoid by Grant Morrison's era respiration-byte modem=cardiac. Grant Morrison ill-treats on the digital-chimpanzee's gene archive which was raped by this abolition world with the biocapturing mode." http://www.cafepress.com/disinfo.7895034 "Richard Metzger opened the drug fetus's industrial BDSM play into the abolition world and transplanted the era respiration-byte sending program of the acidhuman body encoder to the digital chimpanzee's cerebral cortex." http://www.cafepress.com/disinfo.7998725 "J.G. Ballard scans the suicide-code of a chemical=anthropoid into the abolition world, as if the drug fetus's modem=heart of the corpse mechanism is aspirated acid." http://www.researchpubs.com/ "The Atrocity Exhibition is the industrial brain-terrorism of a drug fetus and JG Ballard rapes the digital-chimpanzee's naked body in the corpse feti=streaming circuit of the abolition world." http://www.filmfreaks.nl/reel23/en/frameset01.html "Generation Hex send back out the super-genomewarable paradise apparatus of a drug fetus era respiration-byte in the abolition world." http://www.cafepress.com/disinfo.31461905 "Douglas Rushkoff HIV=scans the gene-war of a chemical=anthropoid through Club Zero-G, the digital=chimpanzee's deconstruction declaration. Seize an abnormal living body-controller!" http://www.cafepress.com/disinfo.10890807 "R.U. Sirius constructs the metaphysical brain of a drug fetus in this abolition world. COUNTERCULTURE THROUGH THE AGES installs the podcast-mind to the broken modem=cardiac of a chemical=anthropoid." http://counterculturethroughtheages.com/ ------------------------------ Date: Sun, 5 Feb 2006 11:54:04 +0900 From: "kenjisiratori.com" <kenji@kenjisiratori.com> Subject: The Global Genome by Eugene Thacker "Eugene Thacker send back out the DNA=channel that turned on the industrial ill-treatment of a chemical=anthropoid era respiration-byte." - Kenji Siratori, author of Blood Electric ------------------------------ ----- End forwarded message ----- # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: majordomo@bbs.thing.net and "info nettime-l" in the msg body # archive: http://www.nettime.org contact: nettime@bbs.thing.net