Alan Sondheim on Fri, 11 Apr 2008 10:33:46 +0200 (CEST) |
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<nettime> Phenomenology of mannequin-avatar construction (text/art) |
Phenomenology of mannequin-avatar construction >From mannequin avatar discovered in the back of the immersive 3d desk room through scanning programs, as in second life, so in first, as in the bar- rier or injunction against the milk of the mother in this dry and airless realm, once entering the computer for resonant transform back through fil- tering into perception and thereby repressed spread across yet more and other injunctions of the other - from skin through plaster-plasticine, from ligament through metal pinning, skein thrusts forth across impotent transformations yet a boy can dream can't he. These are stillborn, static formations of .obj files, in other words ob- jects, for insertion into true world video/performance. In other words, an epistemo-ontological rebus, perhaps condensation/displacement of previous work, displaced into/outto mannequin towards maquette, maquette towards model towards inscription lifted from the magic writing slate. Enter the sleazy, tawdry - enter defuge as annihilated punctum; doesn't the same thing happen to every boy and girl in second life? All those exaggerated breasts, penises, lips, toppling airless bodies with physics configured in a distant memory of a newborn and innocent physical world, taking us taking it for granted. What's revealed beneath the surface is the phal-lick; what's revealed beneath the phal-lick is the surface emptied of content, inscribed, exhausted. There's nothing there there. Either the surface is closed/clothed or it's emptied, sheave-skin, already torn, fallen apart, sleazy (as if the night revealed real members of itself, real w/wholes). The mannequin cracks. Topologically, an organism is a coherent (linked) multiply-pierced torus defined everywhere; topologically, a mannequin is an un-linkable fissured structure which may or may not be hollow - i.e. a set of manifold sections and spheres. Neither has well-defined nodes; the body has no well-defined parent-child relationships; the manifold has well-defined parts and linking mechanisms. Tissues, organs, organelles, etc. of the body are often porous, self-defining, resilient, multiply- connected through nerves, ligaments, musculature, blood and other vessels, transport mechanisms of all sorts, repair and defense mechanisms, etc. These mechanisms are not mechanical; they depend on a local electro-chemi- cal environment; they are processes requiring constant maintenance. The mannequin is passive, a well-defined collection of well-defined states. Oh what's the difference, I'm here, they're there, or vice versa, all these false identification existing only as long as the brain functions, mind 'works,' however defined, and this isn't well-. Video materials, once one has a shield, everything falls into place. But how can one use a shield against the immense vitality of the Universe! Space and time beyond all comprehension! Unfathomable measurement! We're just here for a second of eternity! No wait, a nanosecond of eternity! Wait, we're just a page between life and death! A spot on the sunglasses of God! A furrow of the imaginary! No wait! The thing about Valeska Gert, obdurate substance, there's flicking of the symbolic, nothing concrete, she's too smart, too fluid, for that. She's either an impersonator (mind you, of the highest order) or a philosopher! That's my role of thinking. Deities flicker on the lip-nub of death. The worldling praxis of aim having been formed in the heart, he the Tatha- gata, creating a conventional body, practices desires exactly as he cares. (from 40 verses in Yoga of the Guhyasamajatantra, translated Waxman) If philosophy is to remain true to the law of its own form, as the repre- sentation of truth and not as a guide to the acquisition of knowledge, then the exercise of this form - rather than its anticipation in the system - must be accorded due importance. (Walter Benjamin, The origin of German Tragic Drama) http://www.alansondheim.org/sadness.mp4 http://www.alansondheim.org/ valeskagert materials For Valeska Gert: http://www.anstendig.com/Valeska%20Gert/gert_page.html http://www.jstor.org/pss/1478054 # distributed via <nettime>: no commercial use without permission # <nettime> is a moderated mailing list for net criticism, # collaborative text filtering and cultural politics of the nets # more info: http://mail.kein.org/mailman/listinfo/nettime-l # archive: http://www.nettime.org contact: nettime@kein.org