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| Syndicate: ISEA2000-CALL FOR PAPERS AND PARTICIPATION |
ISEA2000, 10th International Symposium on Electronic Art Paris, France December 7-10 2000 CALL FOR PAPERS AND PARTICIPATION Deadline: April 15, 2000 ISEA2000 is organized by ART3000 in collaboration with ISEA - The Inter-Society for the Electronic Arts, with the support and the collaboration of the Ministry of Culture and Communication (DDAT, DAP, DAI,CNC, DMDTS), and in partnership with the Forum des images, CICV Pierre Schaeffer Center, Canadian Cultural Center, ACROE and the General Quebec Delegation. ISEA2000 http://www.art3000.com http://www.isea.qc.ca Email : isea2000@art3000.com COMPONENTS : PAPERS : See heading Information on submissions, The International Symposium, 1 PANELS : See heading Information on submissions, The International Symposium, 2 POSTER SESSIONS : See heading Information on submissions, The International Symposium, 3 WORKSHOPS : See heading Information on submissions, The International Symposium, 4 INSTITUTIONAL PRESENTATION : See heading Information on submissions, The International Symposium, 5 CONCERTS, PERFORMANCES AND "STREET SCENES" (OUTDOOR ACTIVITIES) : See heading Information on submissions, Associated public events, 6 EXHIBITIONS : See heading Information on submissions, Associated public events, 7 ELECTRONIC THEATER : See heading Information on submissions, Associated public events,8 LOCATION ISEA2000 will be held from December 7-10, 2000 at the Forum des images in Paris as well as other participating venues in the capital. INTERNATIONAL SYMPOSIA ISEA2000 continues the tradition in which each edition is hosted by a different city. The ISEA Symposium will hold its 10th edition in Paris. 1. Utrecht, Netherlands (FISEA, 1988) 2. Groningen, Netherlands (SISEA, 1990) 3. Sydney, Australia (TISEA, 1992) 4. Minneapolis, USA (FISEA, 1993) 5. Helsinki, Finland (ISEA 94) 6. Montreal, Canada (ISEA 95) 7. Rotterdam, Netherlands (ISEA 96) 8. Chicago, USA (ISEA 97) 9. Liverpool & Manchester, UK (ISEA 98) 10. Paris, France (ISEA 2000) - 10th edition PRESENTATION ISEA2000 will be a major international event for members of the artistic community involved with new media. It consists of: 1- an international symposium composed of papers and panel sessions, poster sessions, workshops and institutional presentations, 2- a program of exhibitions, concerts, performances, electronic theater, "street scenes" (outdoor activities), 3- and publications. This call for participation is open to all propositions related to the above program of activities. TARGET GROUPS ISEA2000, the International Symposium is oriented toward : - professionals in the arts and new media (creation, production, publishing and broadcasting electronic arts) - students, teachers, researchers, - as well as the general public who are invited to attend concerts, performances, electronic theater, "street scenes" (outdoor activities), and exhibitions. ISEA2000 aims to represent the diversity of those engaged in new media, and encourages submissions from artists and researchers from cultural groups that have been traditionally under-represented at global events and previous ISEA Symposia. STATEMENT OF PURPOSE ISEA is committed to interdisciplinary and cross-cultural communication/cooperation between the arts and the fields of technology, science, education and industry. With "Revelation" as its theme, ISEA2000 will focus on new means of representation, and will explore the effects of the technological revolution on art and society : digital images, virtual realities, multimedia, interactive installations, networks etc. ISEA 2000 "Revelation" will put into perspective the transformations undergone by different artistic disciplines : fine arts, theatre, music, film and video, architecture, design, fashion. It will attempt to understand how new information and communication technologies produce means of expression unique to digital civilizations. THEMES In April 2000, an international programming committee comprised of professionals working in art, culture and research will select the projects chosen to be part of ISEA2000. These works will concern the following themes : Digital Art Dedicated to art history and theory, various schools of thought and their relation to new technologies, this part of the symposium will consider artistic movements which have preceded and accompanied the emergence of information and communication technologies. The goal will be to gain a better understanding of how contemporary approaches to digital art have developed. We will also examine the ways in which these approaches are unique. Interactivity And Generactivity : Transmitters Of New Forms Using interactivity, global networks and computer equipment available worldwide, authors and creators of digital works are inventing new means of expression which dramatically alter the artist's relation to art and the public. The form and the manner in which a work develops are no longer solely determined by its creator. With interactive and generative processes, a work's form and development may be influenced by the reactions of the viewer, or those of its environment, and/or by a programmed autonomy. Real time and outside interventions are thus two elements of the creative process. How do these factors modify representation, speech, narrative and expression? New Arenas Of Revelation In comparison to certain powerful cultural industries, digital creation presents itself as being a laboratory of free expression which entirely modifies our relation to time, space, information, communication and art. Virtual realities and communication networks are increasingly becoming indispensable elements of our daily environment. Can this new arena of representation be considered a new space for revelation, and if so, for the emergence of which emotions and meanings? The Internet foreshadows the interconnection of a multitude of virtual spaces for exchange and expression populated by nomadic communities. International, interdisciplinary and multicultural, digital space abolishes borders and is part of a massive social and cultural transformation. It is defining new codes of representation which are unique to cyberspace and which call for analysis and questioning. The transformation of creative tools resulting from the convergence of digital techniques allows for means of expression previously unheard of, as well as new relationships between different artistic disciplines : video and film, fine arts, theatre, sound, writing, design, fashion, architecture. New artistic forms emerge from these encounters. What are their consequences? How will they affect the creative process? All proposals must be related to these mentioned themes. INFORMATIONS ON SUBMISSIONS THE INTERNATIONAL SYMPOSIUM 1-PAPERS Papers can be short (20 minutes) or long (45 minutes). The papers will be published in the ISEA2000 Proceedings after the event. All papers must be written in English and / or French. They must be original and previously unpublished. An abstract of 500 words maximum is required for the first deadline, April 15, 2000 . After a preselection, the authors will be requested to send their full dossier, including illustrations, videos, or other materials. 2- PANELS Panel proposals should contain the theme of the panel and a description of the proposed panel members. 3- POSTER SESSIONS Poster sessions are informal presentations (about 30 minutes) of research or art practice, with the aid of audiovisual equipment. Proposals should include a short description of the work, with supporting visual or audio materials (pictures, videotape, cdrom, website, etc.). 4- WORKSHOPS Workshops are thematic discussions open to the public. Workshop proposals should aim at both teachers and students in the field of the electronic arts (including music) and at Symposium participants. Proposals can cover any field of electronic art. Workshop proposals that aim at integrating electronic art in more traditional art forms are especially welcome. Workshops typically include hands-on sessions. Proposals can be for a half day session or a full day session. Workshop proposals must be sent in a short and precise text presentation form. Since available equipment at this stage is limited, it is important to indicate the equipment requirements as completely as possible in the proposal. 5-INSTITUTIONAL PRESENTATIONS Institutional presentations are open to institutes, organizations, festivals etc. in the field of the electronic arts. In principle, all relevant proposals should be accepted, but it must be noted that presenters in this category do not receive free admission to the Symposium. ASSOCIATED PUBLIC EVENTS 6-CONCERTS, PERFORMANCES AND STREET SCENES Concerts and performances will be programmed as part of the event. Individuals and institutes are invited to submit the best and most recent examples of their work in these fields. The street represents an ideal space for presenting new media creations to the general public. Artists invest the public space with a critical view of urban communication, architecture and social debate. Proposals which relate to the above mentioned topics and adapted to an outdoor exhibition are especially encouraged. 7-ISEA2000 REVELATION EXHIBITIONS All forms of new media creations (interactive installations, Websites, videotapes, virtual reality works, multimedia, networks, computer aided sculpture, digital imagery, etc.) keeping with the proposed themes are welcome for ISEA2000's exhibitions. Proposals should clearly describe the contents of the materials submitted, the installation requirements (including hard and software, audiovisual equipment, necessary assistance, etc.) and include audio and/or visual material (pictures, tapes, etc.) to give an overview of the work. 8-ELECTRONIC THEATER A film and video show will be held during ISEA2000. Individuals and institutes are invited to submit the best and most recent examples of their work in the fields of computer animation, image processing and video art. A broad selection will be shown at the exhibition site. GENERAL SUBMISSION INFORMATIONS It is important to include with each proposal : - a complete list of required equipment, - a description of how the projects will be financed and produced. In order to facilitate the selection submissions, ART 3000 will set up a database of the proposals. For this reason it is strongly recommended that submissions include an html/Web presentation of each proposal ( one page maximum) which will be availabe for consultation on the ART3000 Website (www.art3000.com). Submitters who believe that a broader understanding of the context of their work is important for review may include additional supporting materials, such as a statement describing their access to technology or documentation of other work which is not intended for current consideration. Please clearly identify supplemental materials. All submitters whose work is selected will receive a letter of acknowledgment including a request to use materials for ISEA2000 publicity and for their eventual placement in the event archives. SUBMISSION PROCEDURE Deadline for all submissions : April 15, 2000 To respond to the call for participation, send a proposal accompanied by the application form and all requested documents (see instructions) to : Atelier d'ART3000 - ENSCI ISEA2000 48, rue Saint Sabin 75 011 Paris - France http://www.art3000.com E-Mail : isea2000@art3000.com REPLY FORM Note : All proposals, papers or other entries should be accompanied by a cover page stating full name, address and position of the author(s), the title and a short abstract ot the contents. NAME INSTITUTE / ORGANIZATION POSITION PROFESSIONAL ADDRESS CITY / STATE / POSTAL CODE / COUNTRY PHONE / FAX E-MAIL ADDRESS / HTTP ADDRESS PERSONAL ADDRESS CITY / STATE / POSTAL CODE / COUNTRY PHONE / FAX E-MAIL ADDRESS / HTTP ADDRESS * I intend to submit a project entitled __________, and the abstract is enclosed (see instructions) * I have a proposal for : - Paper - panel - Poster session - Workshop - Institutional presentation - Concert - Performance - Street scene (outdoor activity) - Exhibition - Electronic theater * I would like to contribute to the organization of ISEA2000 * I am interested in supporting ISEA2000 (public, institutional partnership or sponsoring) * I am interested in an advertisement or a booth * Please keep me informed THE COMMITTEES The organization of the event is being undertaken with different committees. They are responsible for the selection of the projects being presented during the symposium, the exhibitions and other related events. ISEA2000 STEERING COMMITTEE - FRANCE The steering committee defines the major orientations of the event and supervises the programming, the logistical organization and the choice of partners. Nils Aziosmanoff, Chairman, ART3000 Maurice Benayoun, Artist Jean-Pierre Balpe, Writer, Director, Hypermedia Departement, Paris 8 University Jean-Baptiste Barrière, Composer Florent Aziosmanoff, Multimedia author, editorial manager - ART3000 Alain Mongeau, President, ISEA Roger Malina, Leornado and co-chair, ISEA International Advisory Committee Atau Tanaka, Artist / composer Pierre Bongiovanni, Director, CICV Pierre Schaeffer Center Michel Reilhac, Director, Forum des images Simone Suchet, Head of Cultural Industries, Canadian Cultural Center Claude Cadoz, Director, ACROE Martine Bour, Hypermedia Departement, Paris 8 University. THE INTERNATIONAL PROGRAMMING COMMITTEE The International Programming Committee (IPC) has the mission to examine and select the works emanating from the Call for Papers and Participation. Yoshiuki Abe (Japan) Moncho Algora (Spain) Jacopo Baboni-Schilingi (Italy) Barbara Becker (U.K.) Hervé Bailly-Basin (France) Giselle Beiguelman (Brazil) Richard Castelli (France) Philippe Codognet (France) Sara Diamond (Canada) Diana Domingues (Brazil)) Odile Fillion (France) Marina Grzinic (Slovenia) Ryszard W. Kluszczynski (Poland) Machiko Kusahara (Japan) George Lewis (United States) Julie Méalin (Canada) Melentie Pandilovski (Macedonia) Niranjan Rajah (Malaysia) Peter Ride (U.K.) Josephine Starrs (Australia) Mike Stubbs (U.K.) ISEA2000 is organized by : ART3000 Art and New Technologies ART3000 has undertaken its activities for eleven years in the field of creation and new media, and constitutes an interdisciplinary and cross-cultural space of exchanges and reflexion on digital culture. The action of ART3000 is organized around : the presentation, exhibition and the promotion of new forms of expression (organization of more than one hundred events), the edition and the production of studies, and the support for creation (digital workshop). http://www.art3000.com ART3000 Atelier d'ART3000 - ENSCI 48, rue Saint Sabin 75001 Paris - France Tél. : 33 (0)1 48 06 28 10 Fax : 33 (0)1 48 06 28 83 Mail: contact@art3000.com In collaboration with : ISEA - The Inter-Society for the Electronic Arts The Inter-Society for the Electronic Arts was founded in 1990 and has been based in Montreal (Québec/Canada) since 1996. ISEA is an international non-profit organization dedicated to the promotion and development of the technological arts. ISEA is committed to interdisciplinary and cross-cultural communication/cooperation between the arts and the fields of technology, science, education, and industry. http://www.isea.qc.ca Information or Membership ISEA Complexe Ex-Centris 3530 Boulevard Saint Laurent, suite 305 Montréal (Québec) Canada H2X 2VI Mail: isea@isea.qc.ca With the support and the collaboration of : Ministry of Culture and Communication The Ministry of Culture and Communication follows an active policy of support for creation and promotion in the field of technological arts Five head offices support the international event ISEA2000 : the "Délégation au Développement et à l'Action Territoriale" (DDAT), the "Délégation aux Arts Plastiques " (DAP), the " Département des Affaires Internationales " (DAI) et the " Centre National de la Cinématographie " (CNC), the " Direction de la Musique, de la Danse, du Théâtre et des Spectacles " (DMDTS). http://www.culture.fr Tél : 33 (0)1 40 15 80 00 And in partnership with : Forum des images The Forum des images, located in the Halles district in the center of Paris, is a place of exchanges and meetings around the Image : cinematographic, televisual, digital... Its activities are multiple : it has an audio-visual collection of 6300 films, organizes events and festivals and proposes a sensitizing of the multimedia and a practice with it. http://www.forumdesimages.net Forum des images Forum des Halles - Porte Saint-Eustache 75 001 Paris - France Tél : 33 (0)1 44 76 63 14 Fax : 33 (0)1 40 26 40 96 Mail : AHesbert@vdp.fr CICV Pierre Schaeffer Center The CICV Pierre Schaeffer Center is an art and creation center with an international vocation. Questions of image, sound, medias and networks are at the heart of its activity. Artistic and cultural creation and experimentation are the founding roles of this structure (residences of creation, experimentation...). The technical facilities of the CICV Pierre Schaeffer Center make it possible to intervene in network, sound and image processing. http://www.cicv.fr CICV Pierre Schaeffer BP 5, 25310 Hérimoncourt - France Tel : 33 (0)3 81 30 90 30 Fax : 33 (0)3 81 30 95 25 Mail: ole@cicv.fr Canadian Cultural Centre The Canadian Cultural Centre in Paris is a place of discovery and innovation, the mandate of which is to allow Canadian artistic creation in all disciplines and in all its dimensions to develop, to be expressed and to be promoted in France.It represents a relay for Canadian artists and creators, and ensures the support and promotion of their work and their projects. http://www.canada-culture.org Centre culturel canadien 5, rue de Constantine 75 007 Paris - France Tél : 33 (0)1 44 43 21 90 Fax : 33 (0)1 44 43 21 99 Mel : simone.suchet@dfait-maeci.gc.ca ACROE The ACROE-ICA is a group made up of a university research laboratory at the Institut National Polytechnique and Joseph Fourier University of Grenoble, and a center for research, creation, promotion of data processing applied to artistic creation at the Ministry of Culture and Communication. Today, the ACROE-ICA develops several research orientations on the interfaces for musical creation, as well as activities of creation (hosting artists in residence), diffusion (organization of artistic, scientific and cultural events), tutorial activities, and promotion. http://www-acroe.imag.fr ACROE Institut National Polytechnique de Grenoble 46, avenue Félix Viallet 38 031 Grenoble Cedex - France Tél : 33 (0)4 76 57 46 69 Fax : 33 (0)4 76 57 48 89 Mail: Claude.Cadoz@imag.fr ; Annie.Luciani@imag.fr GENERAL DELEGATION OF QUEBEC The Cultural Services of the General Delegation of Quebec work to promote and support artists from Quebec in France. Actions are undertaken in partnership with French organizations working to make known the specificity of the culture of Quebec, and this under the direction of Mr. André Dorval, Cultural Adviser. http//www.delegationquebec.fr Delegation generale du Quebec 66, rue Pergolèse 75116 Paris - France Tél : 33 (0)1.40.67.85.70 Fax : 33 (0)1.40.67.85.79 Mail: andré.dorval@mri.gouv.qc.ca ****************************************** ISEA-Inter-Society for the Electronic Arts ISEA-Inter-Societe des arts electroniques 3530, boul. Saint-Laurent, suite 305 Montreal, Quebec, CANADA H2X 2V1 T.+1-514-847-8912 F.+1-514-847-8834 isea@isea.qc.ca http://www.isea.qc.ca ------Syndicate mailinglist-------------------- Syndicate network for media culture and media art information and archive: http://www.v2.nl/syndicate to unsubscribe, write to <syndicate-request@aec.at> in the body of the msg: unsubscribe your@email.adress