Arthur Bueno on Mon, 22 Nov 1999 17:01:02 +0100 |
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Syndicate: Delvaux's Dream |
From: x@avu.cz Date: Mon, 22 Nov 1999 12:14:51 -0500 Z K M Karlsruhe 9.12.1999 - 9.1.2000 opening on 8.12.1999 at 19:00 michael bielicky presents Delvaux's Dream The desire to enter the picture plane by various symbolic and perceptual strategies, an ancient dream that infuses human history since the earliest iconographic forms, is today acquiring new impetus thanks to computer-generated 3D models with convincingly penetrable characteristics, and tracking devices which modulate digital worlds in keeping with visitors' movements. Michael Bielicky's Delvaux project takes the Belgian artist's fantasy world as a starting point for his enterable painting experiment. The quiescent eroticism of the Delvaux figures poised in settings that feature vestiges bygone architectures, generates a singular sense of a space that remains somehow vacuous, tainted with nostalgia, fundamentally estranged. Reconstituted with digital technologies, the scene chosen by Bielicky can be accessed and physically penetrated by the spectator using a complex virtual set technology combined with a sofisticated tracking system and a motion control camera . The result is a situation of observed immersion: the live figure evolving in the painting is visibly integrated into the surreal landscape, but he himself is not experiencing this integration in any direct manner - in fact, can only become aware of it if he watches himself on a control monitor. Here, Bielicky's goal is not so much exploration of a paining as an immersive construct, felt as such by the spectator, but rather the sense of dislocation felt by the spectator as he evolves within the projected environment, monitoring his own movements in this unreal landscape on a screen display. Michael Bielicky has been using computers for his projects since the beginning of the 90s. He confronts traditional art media with programs from virtual reality research in search for forms of expression and presentation of the relationship between reality and simulation, between perception and experience. Concept and realisation: Michael Bielicky Execution: Petr Sarovsky >3D modelling André Bernhardt >Tracking system Gideon May >Application software Supported by: Orad Hi-Tec Systems GmbH Germany, Nipkov Program Berlin, DAAD Bonn, Kunsthochschule für Medien Cologne, High Tech Center GmbH Potsdam- Babelsberg, Silicon Graphic Czech Republic, ZKM Karlsruhe, Orad Hi-Tec Systems Israel, Milemium Gate Company Prague, Fishtalk Potsdam-Babelsberg, Silver Prague, Virual Reality s.r.o. Brno, MultiGen Inc., Allon Adler, Sony Europe Mobile Phones, Blue Space GmbH. Special Thanks to: Raymond Lesnigg, Uta Berg-Ganschow, Siegfried Zielinski, Peter Krieg, Uli Hartmann-Koehler, Boris Goetze, Allon Adler,.Miki Tamir, Jeffrey Shaw, Michal Cilek, Jorg Westerheide, Kristine Schroeder, Joachim Kurke. Arthur Bueno V2_Organisatie Rotterdam Eendrachtsstraat 10 3012 XL Rotterdam tel. 010.206.7272 url: www.v2.nl fax. 010.206.7271 ------Syndicate mailinglist-------------------- Syndicate network for media culture and media art information and archive: http://www.v2.nl/syndicate to unsubscribe, write to <syndicate-request@aec.at> in the body of the msg: unsubscribe your@email.adress