<nettime-ann> ARCHIVE OF DIGITAL ART features ANDRÉS BURBANO

["Image Science" <Image.Science@donau-uni.ac.at>]

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The ARCHIVE OF DIGITAL ART features ANDRÉS BURBANO: NEW FEATURE AND
ARTIST INTERVIEW

Andres Burbano is a researcher, curator and interdisciplinary artist
whose work ranges from documentary video (in both science and art), to
sound installation and telecommunication art. Burbano is currently
Associate Professor of the Department of Design at the Universidad de
los Andes in Bogota, Colombia. The wide spectrum of his research
projects includes: media archaeology of Latin America, 3D-modelling of
Photogrammetry technology and data-translation into digital media.
Burbano was the Chair of SIGGRAPH 2018 Art Gallery and the Chair of
ISEA2017 Academic. He held the keynote speech at ZKM’s “Potential Spaces”
Conference in 2017. He has taught as lecturer in Europe, USA and Canada,
where he also established the ethnographic online archive with the local
indigenous communities. For over a decade now, Burbano has developed
technological approaches to investigate the geographic change of nature
landscapes.

ARTWORKS & RESEARCH
Focusing on the combined mechanics and opportunities of cinematic
narratives, human language and information data, Andres Burbano’s
arts-based research illustrates how media technology shapes the way we
communicate with different cultures and societies today. In his
collaborative research projects, Burbano investigates the
socio-technological histories of landscapes and cultural sites. As one
research outcome, Burbano translates the data and knowledge gained from
his fieldtrips into media art installations. In „The New Dunites“
(2009), the research team investigated the desert landscape at
California‘s Central Coast for archaeological traces of film settings
from the early Twentieth Century. Once a shooting location for „The Ten
Commandments“ (1923), these modern geographical sites are now, due to
sand drift, only detectable through traces and signals by combining
methods and tools from geophysics, computational media, and art
practice.
In „Imaging Macondo“ (2015), Burbano and his partners George LeGrady
and Angus Forbes created an animated, interactive visual installation to
recreate the fictional town, or „literary village“, Macondo as
envisioned in Gael Garcia Marquez‘ writings. Based on eight key concepts
from the novels, viewers attached their own photographies to one of the
eight key concepts developed, bridging private with literary heritage.
By linking memory, literature, keywords and images in this panoramic
installation, Burbano created an imaginary space of personal and social
identities.

:: EXPLORE :: Andrès‘ ADA Profile
https://www.digitalartarchive.at/database/artists/general/artist/burbano.html


:: READ :: Artist Interview with Andrés
https://www.digitalartarchive.at/index.php?id=182     

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BECOME A MEMBER ON THE ARCHIVE OF DIGITAL ART (ADA)

ARTISTS and SCHOLARS are invited to become members of the online
community and set up their own ADA profile! To ensure a high academic
standard, five published articles and/or exhibitions are required to
become members of the ADA community. Apply for an account here:
www.digitalartarchive.at/support/account-request.html 

SHARE YOUR RESEARCH WITH PEERS AND THE COMMUNITY
Community members can upload publications and PDFs, announce upcoming
events, post comments, document exhibitions, conferences and other
relevant news.

ADA: THOUSANDS OF ARTWORKS
Since its foundation in 1999, the ARCHIVE OF DIGITAL ART (former
Database of Virtual Art) has grown to be the most important online
archive for digital art. In cooperation with established media artists,
researchers and institutions it has been documenting the rapidly
evolving world of digital art and its related fields for more than a
decade and contains today a selection of thousands of artworks at the
intersection of art, science and technology.  ARTISTS and SCHOLARS are
invited to join the community and set up their own archive pages.

EXPANDED DOCUMENTATION FOR THE NEEDS OF DIGITAL ART
Due to the processual, ephemeral, interactive, technology-based and
fundamentally context-dependent character of digital art, it is at risk
for becoming extinct without an adequate documentation. Therefore, the
ADA is based on an expanded concept of documentation, which takes
account of the specific conditions of digital art.

ARTISTS represented, among many others: Rebecca ALLEN, Suzanne ANKER,
Cory ARCANGEL, Roy ASCOTT, Louis BEC, Maurice BENAYOUN, Paolo CIRIO,
Charlotte DAVIES, FLEISCHMANN & STRAUSS, Masaki FUJIHATA, Ken GOLDBERG,
Agnes HEGEDÜS, Lynn HERSHMAN LEESON, Ryoji IKEDA, Eduardo KAC, Ken
RINALDO, KNOWBOTIC RESEARCH, Lev MANOVICH, George LEGRADY, Golan LEVIN,
Rafael LOZANO-HEMMER, Joseph NECHVATAL, Michael NAIMARK, David ROKEBY,
Jeffrey SHAW, Julius v. BISMARCK, Paul SERMON, Karl SIMS, SOMMERER &
MIGNONNEAU, STANZA, Nicole STENGER, THOMSON & CRAIGHEAD, Peter WEIBEL,
et al.

Advisory board: Christiane PAUL, Roy ASCOTT, Erkki HUHTAMO, Gunalan
NADARAJAN, Martin ROTH, et. al.

ADA TEAM:
Oliver GRAU
Janina HOTH, Wendy COONES, Rodrigo GUZMAN, Viola RÜHSE.

Contact us at digitalart.editor@donau-uni.ac.at 

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